文化外交中的艺术创造力:机遇与界限

Irina Aleksandrovna Chuprova, Vladimir Sergeevich Glagolev
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引用次数: 0

摘要

本研究的主题是文化外交的语义内容。在当前国际关系发展的特殊阶段,文化外交在 "取消文化 "的反作用战略愈演愈烈的情况下,机会急剧减少。这项工作的目的是追溯近期社会文化动荡时期价值观和意义披露的特点。本研究的目标是:1)澄清创意行业代表对当时政治和意识形态现实的态度的性质;2)强调 "政治/非政治 "和 "官方/非官方 "二分法之间的区别;3)确定这些二分法的每个部分在解决文化外交问题中的意义;4) 根据作为文化关键价值的 "意义创造 "范式,追溯艺术文化代表对这些二分法组成部分的理论和实践方法; 5) 确定创意专业代表与其活动的政治背景之间互动的可能性和界限。研究方法是在跨文化交流理论框架内,以文化史、文化人类学和政治心理学数据为基础的综合方法。使用的主要方法是分类分析和话语分析,这使我们能够结合当前历史和文化进程的特点,追踪价值偏好的区块。本研究的新颖之处在于,在当前动荡(主要是政治动荡)的时代,在 "取消文化 "愈演愈烈的背景下,文化接触的可能性和发展界限被削弱了。
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Artistic creativity in the cultural diplomacy: opportunities and boundaries
The subject of the study is the semantic content of cultural diplomacy. The relevance of addressing this topic is determined by the specifics of the current stage of development of international relations, when cultural diplomacy finds itself in a situation of sharply narrowed opportunities amid the intensification of counterproductive strategies of “cancel culture.” The purpose of the work is to trace the features of the disclosure of values and meanings of the period of recent sociocultural turbulence. The objectives of the study are 1) to clarify the nature of the attitude of representatives of creative professions to the political and ideological realities of the time; 2) highlight the difference between the dichotomies “political / non-political” and “official / unofficial”; 3) establish the significance of each part of these dichotomies in solving the problems of cultural diplomacy; 4) to trace theoretical and practical approaches to the components of these dichotomies on the part of representatives of artistic culture in the light of the paradigm of meaning-making as a key value of culture; 5) determine the possibilities and boundaries of interaction between representatives of creative professions and the political context of their activities. The research methodology is based on an integrated approach based on data from cultural history, cultural anthropology, and political psychology within the framework of the theory of intercultural communication. The key method used is categorical analysis, as well as discourse analysis, which allows us to trace blocks of value preferences, taking into account the characteristics of current historical and cultural processes. The novelty of the study lies in identifying the possibilities and boundaries for the development of cultural contacts in an era of current turbulence (primarily political), when, against the backdrop of the intensification of “cancel culture,” the possibilities for such interactions are reduced.
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