在 Barkentin & Krall 的詹姆斯-奥古斯都-格兰特纪念碑中将北非形象化

IF 0.3 3区 艺术学 0 ART Sculpture Journal Pub Date : 2024-06-01 DOI:10.3828/sj.2024.33.2.10
M. Hewitson
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引用次数: 0

摘要

这篇文章将詹姆斯-奥古斯都-格兰特(1827-92 年)作为探险家和植物学家的职业生涯与他在圣保罗教堂地下室纪念碑中的形象联系起来。文章强调了这样一个事实,即 Barkentin & Krall 对尼罗河的描绘标志着图标从金字塔和狮身人面像向其他图标的转变,而这一转变恰好与英国在埃及和苏丹的领土扩张以及与此相关的该地区旅游业和旅行的兴起相吻合。文章还展示了这一特殊景观如何将格兰特的植物学发现置于其军事生涯之上。因此,文章有益地扩展了圣保罗神殿中的帝国概念,将科学发现和探索纳入其中,并强调了雕塑研究中植物生命的重要性。
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Visualizing North Africa in Barkentin & Krall’s monument to James Augustus Grant
This article correlates James Augustus Grant’s (1827–92) career as an explorer and botanist with the imagery in his memorial in the crypt of St Paul’s. It highlights the fact that Barkentin & Krall’s depiction of the Nile marks a shift in iconography away from pyramids and sphinxes that coincided with Britain’s territorial expansion in Egypt and Sudan and an associated rise in tourism and travel to the region. It also demonstrates how this particular landscape prioritizes Grant’s botanical discoveries over his military career. The article thus usefully expands notions of empire in the St Paul’s pantheon to include scientific discovery and exploration as well as emphasizing the importance of botanical life in sculpture studies.
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发文量
32
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