福特-马多克斯-福特的非同寻常的战争:持续的忧虑与现代性

Humanities Pub Date : 2024-06-03 DOI:10.3390/h13030084
Nur Karatas
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引用次数: 0

摘要

在《游行的终点》中,福特-马多克斯-福特以一种不同寻常的方式来表现创伤的体验--它不再仅仅是过去的经历,而是对悲惨事件的预期成为创伤。福特选择了忧虑来进行这种渲染。为了将痛苦与感性联系起来,他将忧虑置于人物的生活中,这也反映了福特自己的生活。本讨论将引入一个观点,即忧虑将成为福特战争心理学的一个重要组成部分。我将探讨这种以忧虑为驱动力的情感及其体现方式,尤其是人物对死亡的期待和面对死亡的哀悼的痴迷。在这种充满失落的氛围中,对被杀的担忧主导了叙事,并不断滋长哀伤的情绪。大战 "转化为 "大战",渗入社会领域,放大了人物以担忧为核心的私人情感斗争。因此,叙事突出了这些个人冲突和公共冲突的共存,最终导致整个故事中身体和心理的双重损失。
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Ford Madox Ford’s Unusual War: Ongoing Worry and Modernity
In Parade’s End, Ford Madox Ford approaches the experience of trauma in an unusual way—it is no longer just past experiences, but the expectancy of dismal events that become as traumatic. Ford chooses worry for such rendering. In order to make the correlation between suffering and sensibility, he places worry in the lives of his characters, which reflects on Ford’s own life. This discussion will introduce the idea that worry is going to be a major component of Ford’s psychologising of war. I explore this worry-driven sensibility and the ways it is reflected, especially in the characters’ obsession with the anticipation of death and face-forward mourning. Within this loss-filled atmosphere, worry over being killed dominates the narrative and continually feeds the sentiment of mournfulness. The Great War transforms into a Greater War, seeping into the societal realm, where it amplifies the private emotional battles of the characters, centred around worry. Consequently, the narrative highlights the coexistence of these personal and public conflicts, ultimately resulting in both physical and psychological losses throughout the story.
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