{"title":"剧院中的莎士比亚:威廉-达文特爵士与公爵剧团》。阿登莎士比亚。阿曼达-尤班克斯-温克勒和理查德-舒克著,《表演恢复时期的莎士比亚》。由 Amanda Eubanks Winkler、Claude Fretz 和 Richard Schoch 编辑。","authors":"Alexander Paulsson Lash","doi":"10.1093/sq/quae020","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":0,"journal":{"name":"","volume":"93 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company. Arden Shakespeare. By Amanda Eubanks Winkler and Richard Schoch\\n Performing Restoration Shakespeare. Edited by Amanda Eubanks Winkler, Claude Fretz, and Richard Schoch.\",\"authors\":\"Alexander Paulsson Lash\",\"doi\":\"10.1093/sq/quae020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":\"93 8\",\"pages\":\"\"},\"PeriodicalIF\":0.0,\"publicationDate\":\"2024-06-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/sq/quae020\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/sq/quae020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company. Arden Shakespeare. By Amanda Eubanks Winkler and Richard Schoch
Performing Restoration Shakespeare. Edited by Amanda Eubanks Winkler, Claude Fretz, and Richard Schoch.