当代立陶宛散文中神话般的维尔纽斯

Audinga Peluritytė-Tikuišienė
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摘要

在立陶宛恢复独立的十年中,维尔纽斯建城神话在立陶宛艺术中变得尤为重要。在经历了长期的占领之后,立陶宛的首都不仅成为了国家和公民身份新表述的催化剂,也成为了自由的象征。维尔纽斯老城的景观和建筑体现了古老的波罗的海想象力,而维尔纽斯的基督教世界不仅没有削弱这种想象力,反而对其进行了补充。恢复独立激活了立陶宛艺术和文学中古老的波罗的海想象力,因为这种想象力在过去几个世纪中培养了立陶宛人的民族自我意识。本文重点介绍立陶宛两位现代散文作家安塔纳斯-拉莫纳斯(Antanas Ramonas,1947-1993 年)和里查尔达斯-加维利斯(Ričardas Gavelis,1950-2002 年),他们的作品唤起了同一个维尔纽斯神话中最引人注目的两个不同形象--神圣与恶魔、希望与绝望。这两种截然相反的维尔纽斯神话形象揭示了立陶宛现代文学对世界、历史和人类的两种不同观点。
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Wilno mityczne we współczesnej prozie litewskiej
The myth of the founding of the city of Vilnius became particularly important in Lithuanian art in the decade of the restoration of independence. After a long period of occupation, the capital of Lithuania became not only a catalyst for new formulations of national and civic identity, but also a symbol of freedom. The landscape and architecture of the Old Town of Vilnius embody the archaic Baltic imagination, which is not upstaged but, on the contrary, complemented by the Christian world of Vilnius. The restoration of independence activated the archaic Baltic imagination in Lithuanian art and literature as this kind of imagination had nurtured Lithuanians’ national self-awareness over centuries. This article focuses on two modern Lithuanian prose writers, Antanas Ramonas (1947–1993) and Ričardas Gavelis (1950–2002), whose works evoke the two most striking and different images of the same mythical Vilnius – divine and demonic, hopeful and hopeless. These two opposing images of mythical Vilnius reveal two different viewpoints on the world, on history and on the human being in modern Lithuanian literature.
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发文量
16
审稿时长
36 weeks
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