创建贝卡柳

IF 0.6 0 RELIGION Journal of Religion in Japan Pub Date : 2024-06-11 DOI:10.1163/22118349-01301002
Michaela Mross
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引用次数: 0

摘要

本文探讨了宗通派 "白卡流"(Baikaryū)吟唱伎乐的创立过程。二十世纪二十年代,其他流派的佛教改革者发展了 "goeika "唱法的传承,并在此过程中实现了表演实践的标准化。由于 "鹅噶 "梵呗大受欢迎,受到真言 "鹅噶 "传承的强烈影响,总持教士于 20 世纪 50 年代创建了自己的 "鹅噶 "传承。我研究了导致创立百加流的背景。为什么总持教士决定创建一个新的伎乐传承?他们的模式是什么?他们采取了哪些措施?在这篇文章中,我将证明在二十世纪,音乐在促进外道参与净土禅宗以及其他传统佛教宗派方面发挥了至关重要的作用,因为教士们认为有必要采用新的赞美诗和歌曲,让外道听起来和 "感觉 "起来都很新鲜。
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The Founding of the Baikaryū
This article explores the founding of the Baikaryū, the Sōtō school’s lineage of goeika hymn chanting. In the 1920s, Buddhist reformers in other schools developed lineages of singing goeika and in this process standardized the performance practice. Seeing the great popularity of goeika hymn chanting, Sōtō clerics created their goeika lineage in the 1950s, strongly influenced by the Shingon goeika lineages. I examine the background that led to the founding of the Baikaryū. Why did Sōtō clerics decide to create a new goeika lineage? What were their models? And what steps did they take? Throughout this article, I demonstrate that music played a vital role in fostering lay engagement in Sōtō Zen, as well as in other traditional Buddhist schools, in the twentieth century as clerics felt the need to employ new hymns and songs that sound—and “feel”—fresh to lay people.
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来源期刊
CiteScore
1.00
自引率
33.30%
发文量
6
期刊介绍: JRJ is committed to an approach based on religious studies, and is open to contributions coming from different disciplines, such as anthropology, sociology, history, Buddhist studies, Japanese studies, art history, and area studies. The Journal of Religion in Japan encourages critical application of ideas and theories about Japanese religions and constitutes a forum for new theoretical developments in the field of religion in Japan. The Journal does not provide a venue for inter-religious dialogue and confessional approaches.
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