{"title":"\"如何成为作家？皮诺、卡诺尔、奥克塔维亚","authors":"Lorna Milne","doi":"10.1080/17409292.2024.2342657","DOIUrl":null,"url":null,"abstract":"This article examines Gisèle Pineau’s Fleur de Barbarie (2007), Fabienne Kanor’s Je ne suis pas un homme qui pleure (2016) and Gaël Octavia’s La Bonne Histoire de Madeleine Démétrius (2020). Striki...","PeriodicalId":10546,"journal":{"name":"Contemporary French and Francophone Studies","volume":"2 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Comment devient-on une écrivaine?”: Pineau, Kanor, Octavia\",\"authors\":\"Lorna Milne\",\"doi\":\"10.1080/17409292.2024.2342657\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines Gisèle Pineau’s Fleur de Barbarie (2007), Fabienne Kanor’s Je ne suis pas un homme qui pleure (2016) and Gaël Octavia’s La Bonne Histoire de Madeleine Démétrius (2020). Striki...\",\"PeriodicalId\":10546,\"journal\":{\"name\":\"Contemporary French and Francophone Studies\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-06-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary French and Francophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17409292.2024.2342657\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French and Francophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17409292.2024.2342657","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了 Gisèle Pineau 的《Fleur de Barbarie》（2007 年）、Fabienne Kanor 的《Je ne suis pas un homme qui pleure》（2016 年）和 Gaël Octavia 的《La Bonne Histoire de Madeleine Démétrius》（2020 年）。令人震惊的是
“Comment devient-on une écrivaine?”: Pineau, Kanor, Octavia
This article examines Gisèle Pineau’s Fleur de Barbarie (2007), Fabienne Kanor’s Je ne suis pas un homme qui pleure (2016) and Gaël Octavia’s La Bonne Histoire de Madeleine Démétrius (2020). Striki...
期刊介绍：
An established journal of reference inviting all critical approaches on the latest debates and issues in the field, Contemporary French & Francophone Studies (formerly known as SITES) provides a forum not only for academics, but for novelists, poets, artists, journalists, and filmmakers as well. In addition to its focus on French and Francophone studies, one of the journal"s primary objectives is to reflect the interdisciplinary direction taken by the field and by the humanities and the arts in general. CF&FS is published five times per year, with four issues devoted to particular themes, and a fifth issue, “The Open Issue” welcoming non-thematic contributions.
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