Experimentation, privilege, and difference: The politics of do-it-yourself urbanism

The Canterbury Earthquake Sequence of 2010–2012 was devastating for Christchurch, New Zealand, a city built on a floodplain. The sequence resulted in widespread damage across the central business district (CBD) and residential areas. Alongside, and in contrast to, orthodox planning responses by the New Zealand Government, playful, creative, and temporary projects emerged in vacant spaces. These were designed to bring back life and energy to the city centre, and such types of activity are referred to by scholars as do-it-yourself (DIY) urbanism. A primary critique of DIY urbanism in the literature relates to how it has the potential to contribute to gentrification, despite its amateurish appearance and mildly subversive politics. In Christchurch, a venue built from pallets—known as the Pallet Pavilion—was constructed by an organisation known as “Gap Filler” with the help of volunteers. Gap Filler emerged after the first earthquake, inserting creative projects to bring back life and energy to the damaged CBD. By examining the Pallet Pavilion, we show that, despite its potentially gentrifying effects, DIY urbanism interventions may open up a more inclusive politics of the city. Also, and paradoxically, in the case of the Pallet Pavilion, the exercise of privilege made this inclusive politics possible.