这个笑话不再好笑了:喜剧的死亡与重生》,作者卢-佩雷斯(评论)

IF 0.1 4区 文学 0 LITERATURE AMERICAN BOOK REVIEW Pub Date : 2024-06-12 DOI:10.1353/abr.2024.a929679
Robert Kramer
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I think it is healthy to confront opinions and attitudes different from ours, because it may encourage us to examine our own views more closely and perhaps even rethink them and modify them if necessary.</p> <p>But what kind of book is this? The subtitle proclaims its subject is \"the Death and Rebirth of Comedy.\" Yet this volume is much more than that.</p> <p>Among other things, it is a sort of autobiography of a minority artist, a discussion of the goals and possibilities of comedy in general, a statement of some of the author's theories on the subject, a primer on becoming a comedian, an indictment of some of the excesses of political correctness and wokism, and a compendium of wisecracks and funny stories. It shines an alternative light on the many moods of America today.</p> <p>At its core, <em>That Joke</em> is essentially serious. It deals with some major problems, issues, and tensions in American society, with varying degrees of depth and gravity. For Perez, one of the underlying causes of tension in the US today is the tendency to think in terms of group membership, whether ethnic, racial, religious, or economic, while ignoring or underestimating individual differences within each group. Such an attitude leads to demands for quotas, which can be divisive and self-defeating. <strong>[End Page 140]</strong></p> <p>Perez does not focus on the major long-term problems of racial discrimination in the United States, although, of course, he does not deny them. Rather, he calls attention to the dangers in the implementation and dissemination of certain woke theories. For example, he cites the opinions of woke leader Ibram X. Kendi, the author of multiple <em>New York Times</em> best-sellers and winner of a MacArthur \"Genius Grant.\"</p> <p>Kendi claims that the concept of intelligence is purely subjective and seems to agree with my congressman, Jamaal Bowman, that \"standardized testing is the pillar of systemic racism,\" as if it would be better not to know the facts, better not to know what needs to be fixed. Kendi's parents had told him that education and hard work would uplift him, \"just as it had uplifted them, and would, in the end, uplift all black people.\" Kendi calls such attitudes assimilationist or products of belief in white supremacy.</p> <p>Perez further reveals the absurdity of some of Kendi's woke notions when he quotes passages from one of the latter's early weekly columns from Florida A&amp;M University. According to Kendi, since whites make up only 10 percent of the world's population, and since they are facing extinction, they \"have tried to level the playing field with the AIDS virus and cloning.\" Since this will not be sufficient, \"murder, psychological brainwashing, and deception\" will be employed. Perez believes that exposing such woke theories to laughter is also \"speaking to power.\"</p> <p>It would be impossible to discuss all the issues presented and the fruitful insights proffered in this volume, but here are some of the most provocative.</p> <p>Perez repeatedly insists that the purpose of comedy is to make people laugh. (He shows no interest in exploring more deeply theoretical or psychological aspects of comedy, such as those introduced by Freud or Bergson.) This involves telling the truth, often the harsh truth, and it can strike in any direction—ideally, punching up at those in power, but Perez believes that no one should be shielded from laughter when they deserve it. And there should be no sacred cows.</p> <p>In late 2020 the author found his work labeled \"far-right\" in an academic paper. 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However, I do not consider this problematic. I think it is healthy to confront opinions and attitudes different from ours, because it may encourage us to examine our own views more closely and perhaps even rethink them and modify them if necessary.</p> <p>But what kind of book is this? The subtitle proclaims its subject is \\\"the Death and Rebirth of Comedy.\\\" Yet this volume is much more than that.</p> <p>Among other things, it is a sort of autobiography of a minority artist, a discussion of the goals and possibilities of comedy in general, a statement of some of the author's theories on the subject, a primer on becoming a comedian, an indictment of some of the excesses of political correctness and wokism, and a compendium of wisecracks and funny stories. It shines an alternative light on the many moods of America today.</p> <p>At its core, <em>That Joke</em> is essentially serious. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要:评论者: 这个笑话不再好笑了:罗伯特-克莱默(Robert Kramer)(简历)《那个笑话不好笑了:喜剧的死亡与重生》(On the Death and Rebirth of Comedy by Lou Perez Robert Kramer (bio) That Joke isn't Funny Anymore: On the Death and Rebirth of Comedy Lou Perez Bombardier Books https://posthillpress.com/book/that-joke-isnt-funny-anymore-on-the-death-and-rebirth-of-comedy 252 页;印刷版,18.00 美元 警告:本书(以及本评论)中的某些段落可能会让某些读者感到不快。不过,我并不认为这有什么问题。我认为,面对与我们不同的观点和态度是健康的,因为这可能会鼓励我们更仔细地审视自己的观点,甚至在必要时重新思考和修改它们。但这是一本什么样的书?副标题宣称它的主题是 "喜剧的死亡与重生"。然而,这本书的意义远不止于此。除其他内容外,它还是一位少数派艺术家的自传,是对喜剧的目标和可能性的一般性讨论,是作者对这一主题的一些理论的阐述,是成为喜剧演员的入门读物,是对政治正确和恶搞主义的一些过激行为的控诉,也是俏皮话和有趣故事的汇编。它以另类的视角照亮了当今美国的多种情绪。笑话》的核心内容是严肃的。它以不同程度的深度和严肃性探讨了美国社会的一些重大问题、议题和紧张局势。在佩雷斯看来,当今美国紧张局势的根本原因之一是人们倾向于从群体成员的角度来思考问题,无论是民族、种族、宗教还是经济方面,而忽视或低估了每个群体内部的个体差异。这种态度导致了对配额的要求,而配额会造成分裂并弄巧成拙。[佩雷斯并没有把重点放在美国长期存在的主要种族歧视问题上,当然,他也不否认这些问题。相反,他提请人们注意在实施和传播某些觉醒理论时存在的危险。例如,他引用了觉醒派领袖伊布拉姆-X-肯迪(Ibram X. Kendi)的观点,肯迪是《纽约时报》多部畅销书的作者,也是麦克阿瑟 "天才奖"(MacArthur "Genius Grant")的获得者。肯迪声称智力的概念纯粹是主观的,他似乎同意我的国会议员贾马尔-鲍曼(Jamaal Bowman)的观点,即 "标准化测试是系统性种族主义的支柱",好像不知道事实会更好,不知道需要解决什么问题会更好。肯迪的父母曾告诉他,教育和努力工作会让他振作起来,"就像教育和努力工作会让他们振作起来一样,最终也会让所有黑人振作起来"。肯迪称这种态度为同化论或白人至上信仰的产物。佩雷斯引用了肯迪在佛罗里达A&M大学的一个早期周刊专栏中的一段话,进一步揭示了肯迪某些清醒观念的荒谬性。肯迪认为,由于白人只占世界人口的 10%,而且他们正面临灭绝,因此他们 "试图用艾滋病病毒和克隆技术来创造公平的竞争环境"。既然这还不够,他们就会采用 "谋杀、心理洗脑和欺骗 "等手段。佩雷斯认为,揭露这些可笑的理论也是在 "向权力发声"。要讨论这本书中提出的所有问题和富有成果的见解是不可能的,但这里有一些最具启发性的观点。佩雷斯一再坚持认为,喜剧的目的就是让人们发笑。(他对探讨喜剧更深层次的理论或心理学问题,如弗洛伊德或柏格森提出的问题,并不感兴趣)。这就需要说出真相,而且往往是残酷的真相,它可以从任何方向出击--最理想的是向当权者施以重拳,但佩雷斯认为,任何人都不应该在他们应得的笑声中受到庇护。也不应该有圣牛。2020 年底,作者发现自己的作品在一篇学术论文中被贴上了 "极右 "标签。他曾是《我们互联网电视》(We the Internet TV)的首席编剧和制片人,负责制作了数百部有关时事、政治的喜剧视频...
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That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy by Lou Perez (review)
In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy by Lou Perez
  • Robert Kramer (bio)
that joke isn't funny anymore: on the death and rebirth of comedy
Lou Perez
Bombardier Books
https://posthillpress.com/book/that-joke-isnt-funny-anymore-on-the-death-and-rebirth-of-comedy
252 pages; Print, $18.00

Warning: There may be passages in this book (and in this review) that some readers will find offensive. However, I do not consider this problematic. I think it is healthy to confront opinions and attitudes different from ours, because it may encourage us to examine our own views more closely and perhaps even rethink them and modify them if necessary.

But what kind of book is this? The subtitle proclaims its subject is "the Death and Rebirth of Comedy." Yet this volume is much more than that.

Among other things, it is a sort of autobiography of a minority artist, a discussion of the goals and possibilities of comedy in general, a statement of some of the author's theories on the subject, a primer on becoming a comedian, an indictment of some of the excesses of political correctness and wokism, and a compendium of wisecracks and funny stories. It shines an alternative light on the many moods of America today.

At its core, That Joke is essentially serious. It deals with some major problems, issues, and tensions in American society, with varying degrees of depth and gravity. For Perez, one of the underlying causes of tension in the US today is the tendency to think in terms of group membership, whether ethnic, racial, religious, or economic, while ignoring or underestimating individual differences within each group. Such an attitude leads to demands for quotas, which can be divisive and self-defeating. [End Page 140]

Perez does not focus on the major long-term problems of racial discrimination in the United States, although, of course, he does not deny them. Rather, he calls attention to the dangers in the implementation and dissemination of certain woke theories. For example, he cites the opinions of woke leader Ibram X. Kendi, the author of multiple New York Times best-sellers and winner of a MacArthur "Genius Grant."

Kendi claims that the concept of intelligence is purely subjective and seems to agree with my congressman, Jamaal Bowman, that "standardized testing is the pillar of systemic racism," as if it would be better not to know the facts, better not to know what needs to be fixed. Kendi's parents had told him that education and hard work would uplift him, "just as it had uplifted them, and would, in the end, uplift all black people." Kendi calls such attitudes assimilationist or products of belief in white supremacy.

Perez further reveals the absurdity of some of Kendi's woke notions when he quotes passages from one of the latter's early weekly columns from Florida A&M University. According to Kendi, since whites make up only 10 percent of the world's population, and since they are facing extinction, they "have tried to level the playing field with the AIDS virus and cloning." Since this will not be sufficient, "murder, psychological brainwashing, and deception" will be employed. Perez believes that exposing such woke theories to laughter is also "speaking to power."

It would be impossible to discuss all the issues presented and the fruitful insights proffered in this volume, but here are some of the most provocative.

Perez repeatedly insists that the purpose of comedy is to make people laugh. (He shows no interest in exploring more deeply theoretical or psychological aspects of comedy, such as those introduced by Freud or Bergson.) This involves telling the truth, often the harsh truth, and it can strike in any direction—ideally, punching up at those in power, but Perez believes that no one should be shielded from laughter when they deserve it. And there should be no sacred cows.

In late 2020 the author found his work labeled "far-right" in an academic paper. He had been the head writer and producer of We the Internet TV and responsible for making hundreds of comedy videos about current events, politics...

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AMERICAN BOOK REVIEW
AMERICAN BOOK REVIEW LITERATURE-
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