{"title":"重复剧场实用宣言","authors":"Filippo Romanello","doi":"10.1080/13528165.2023.2334617","DOIUrl":null,"url":null,"abstract":"In the preface to the English translation of Félix Ravaisson’s De l’habitude (2008 [1838], eds and trans. Claire Carlisle and Mark Sinclair, London: Continuum), Catherine Malabou identifies ‘two ba...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Practical Manifesto for a Theatre of Repetition\",\"authors\":\"Filippo Romanello\",\"doi\":\"10.1080/13528165.2023.2334617\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the preface to the English translation of Félix Ravaisson’s De l’habitude (2008 [1838], eds and trans. Claire Carlisle and Mark Sinclair, London: Continuum), Catherine Malabou identifies ‘two ba...\",\"PeriodicalId\":45559,\"journal\":{\"name\":\"PERFORMANCE RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PERFORMANCE RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13528165.2023.2334617\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PERFORMANCE RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13528165.2023.2334617","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
In the preface to the English translation of Félix Ravaisson’s De l’habitude (2008 [1838], eds and trans. Claire Carlisle and Mark Sinclair, London: Continuum), Catherine Malabou identifies ‘two ba...
期刊介绍:
Performance Research is a specialist journal that promotes a dynamic interchange between scholarship and practice in an expanding field of performance. Interdisciplinary in vision and international in scope, its emphasis is on research in contemporary performance arts within changing cultures. Performance Research is published in English and welcomes submissions in other languages. The Editors encourage work that challenges boundaries between disciplines and media. Each issue contains articles, documents, interviews, reviews as well as illustrations and original artworks.