David Habets, J. Kiverstein, Erik Rietveld, D. Denys
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引用次数: 0
摘要
我们的文章是从参观墨西哥城 El Eco 实验博物馆的亲身经历开始的。在我们的参观过程中,El Eco 成为了一个我们称之为 "私密空间 "的地方,在这里我们可以探索个人的思想、记忆和感受。我们接着将 El Eco 与 RAAAF 的特定场所艺术装置 "黑水"(2021 年)进行比较。我们借鉴唐纳德-温尼科特(Donald Winnicott)关于游戏的研究成果,说明像 El Eco 博物馆这样的私密场所与心理疗法的治疗环境有何共通之处。这些场所能让参观者处于放松状态,并为自我探索提供丰富的破坏性可能性,从而使人们能够自由交往。我们把这种私密场所理解为游戏场,可以(暂时)打破僵化的抵制或回避模式,使人们能够面对困难的情绪和经历,否则这些情绪和经历可能会被忽视。
Our essay starts from our first-person experience of visiting El Eco Experimental Museum in Mexico City. Over the course of our visit, El Eco became, what we will call an ‘intimate place’ in which we were able to explore personal thoughts, memories, and feelings. We go on to compare El Eco to Black Water (2021), a site-specific art installation by RAAAF. We draw on Donald Winnicott’s work on play to show how intimate places like the El Eco museum have commonalities with the therapeutic setting of psychotherapy. They are places that enable people to freely associate by enabling a visitor to be in a state of relaxation, and by affording a rich array of disruptive possibilities for self-exploration. We understand such intimate places as playgrounds that can (temporarily) disrupt rigid patterns of resistance or avoidance, enabling a person to confront difficult emotions and experiences that might otherwise go unnoticed.