流动与演奏:从钢琴演奏角度对激发模型的定量研究

Junrui Li, Ying Xu, Xiaoyu Wang, Xinran Yuan, Shilin Liu, Meihui Li, Xiubo Ren, Dan Yang, Siqi Liu, Zhenxu Jiang, Qiaoqiao Gou, Miaomiao Yang, Qiujian Xu
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引用次数: 0

摘要

流状态(Flow)被定义为在活动中以高度集中为特征的意识状态,主要受感知挑战和技能动态平衡的影响。我们的研究利用音乐本体的定量数据来衡量挑战水平,并利用音乐习得水平来评估技能,从而建立了获取流状态的框架。此外,我们还整合了音乐文化异质性和人口统计学变量等外部因素,以阐明流动对钢琴演奏的成因和调节作用。研究结果表明,流动与演奏之间存在正相关,挑战和技能诱导模型可以部分解释这些结果。值得注意的是,旋律香农熵(Shannon Entropy)是挑战的一个潜在指标,这表明它在未来关于流动的研究中具有相关性。这项研究为钢琴演奏中演奏与流动之间的相互作用提供了多维度的见解,指导未来的研究从音乐定量的角度进行更深入的探索。
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Flow and performance: a quantitative study of elicitation modeling in a piano performance perspective
Flow, defined as a heightened state of consciousness characterized by intense concentration during an activity, is influenced primarily by the perceived challenge and the dynamic equilibrium of skills. This investigation focuses on the patterns of flow state attainment and its elicitation mechanisms within the context of piano performance among Chinese music college students.Our study establishes a framework for accessing flow, utilizing quantitative data from music ontology to gauge the level of challenge and the level of music acquisition to assess skills. Additionally, we integrate external factors such as music culture heterogeneity and demographic variables to elucidate the causes and moderating effects of flow on piano performance.The findings reveal a positive correlation between flow and performance, with the model of challenge and skill induction partially explaining these results. Notably, melodic Shannon Entropy emerges as a potential indicator of challenge, suggesting its relevance in future studies on flow.This research provides multidimensional insights into the interplay between performance and flow in piano performance, guiding future investigations to explore the musical quantitative perspective more deeply.
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