13 世纪立陶宛民间传说中的魔鬼形象:相似之处与不同之处

Marius Ščavinskas
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摘要

中世纪形成了神学和白话两种魔鬼形象。神学形象植根于《圣经》,而白话形象虽然与《圣经》有关,但神学色彩较淡,强调的是人类与魔鬼之间的 "世俗 "关系。两种形象共存,互不矛盾。文章研究了 13 世纪两部作品中的白话魔鬼形象,即海斯特巴赫的凯撒里乌斯(Caesarius of Heisterbach)于 1223 年左右完成的《奇迹对话》(Dialogus miraculorum)和博韦的文森特(Vincent of Beauvais)于 1235 至 1264 年间创作的《大镜子》(Speculum maius)。文章作者试图找到与立陶宛民间传说中有关魔鬼的故事(情节)相似之处,并确定它们之间的差异。
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Liaudiškasis velnio vaizdinys XIII a. raštijoje ir lietuvių folklore: panašumai ir skirtumai
In the Middle Ages, both theological and vernacular images of the devil were formed. The theological image is rooted in the Holy Scripture, while the vernacular one, although related to the Bible, is less theological and emphasizes the “mundane” relationship between humans and the devil. Both images coexisted and did not contradict each other. The article examines the vernacular image of the devil as presented in two works from the 13th century – namely, the “Dialogues on Miracles” (Dialogus miraculorum) by Caesarius of Heisterbach, completed around 1223, and “The Great Mirror” (Speculum maius) by Vincent of Beauvais, written between 1235 and 1264. The author of the article attempts to find medieval stories (plots) regarding the devil that are similar to the ones found in the Lithuanian folklore, and to establish their differences.
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