{"title":"罗伯特-艾克的《玩家国王》评论,改编自莎士比亚《亨利四世》第一和第二章(罗伯特-艾克导演),伦敦诺埃尔-考沃德剧院,2024 年 5 月 8 日","authors":"Gemma Miller","doi":"10.1080/17450918.2024.2363966","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Review of Robert Icke’s\\n Player Kings\\n , an Adaptation of Shakespeare’s\\n 1 and 2 Henry IV\\n (Directed by Robert Icke) at the Noël Coward Theatre, London, 8 May 2024\",\"authors\":\"Gemma Miller\",\"doi\":\"10.1080/17450918.2024.2363966\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":42802,\"journal\":{\"name\":\"Shakespeare\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17450918.2024.2363966\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17450918.2024.2363966","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Review of Robert Icke’s
Player Kings
, an Adaptation of Shakespeare’s
1 and 2 Henry IV
(Directed by Robert Icke) at the Noël Coward Theatre, London, 8 May 2024
期刊介绍:
Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.