安纳托利亚墓地中的赫耳墨斯-帕罗波波斯:达斯凯利翁的白地杯

IF 0.9 1区 历史学 0 ARCHAEOLOGY American Journal of Archaeology Pub Date : 2024-07-01 DOI:10.1086/730133
Çİçek Karaöz, Kaan İren
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引用次数: 0

摘要

在安纳托利亚西北部达斯凯利翁东部墓地的一个墓穴中发现了一件引人注目的文物:一个白地杯,上面描绘了赫耳墨斯-普罗波波斯带领一位死去的妇女前往冥界的场景。这篇文章的重点是与这只杯子有关的画家或作坊,并质疑它是如何出现在波斯都城中心贵族墓地的多元文化背景中的。通过对花瓶绘画的风格研究,我们发现通多是由波利尼诺坦画家(可能是克莱奥丰画家)创作的,而外部的宫殿场景可能是由当时的一位较低级的画家(海德堡 209 画家)创作的。这项研究成果挑战了我们对古典阿提卡花瓶绘画的认识,并提供了有关公元前五世纪晚期东部陶器贸易的线索。考虑到这只杯子的独特性,它一定是作为特别和个人委托的产物被带到这里的1。
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Hermes Psychopompos in an Anatolian Grave: The White-Ground Cup from Daskyleion
A striking find emerged from a tumulus in the eastern necropolis of Daskyleion in northwestern Anatolia: a white-ground cup depicting Hermes Psychopompos leading a deceased woman to the underworld. This article focuses on the painter or workshop associated with the cup and questions how it ended up in the multicultural context of a noble grave in a Persian satrapal center. The stylistic study of the vase painting suggests that the tondo was created by a Polygnotan painter, probably the Kleophon Painter, and the palaestra scene on the exterior may be by a lesser painter of the period, the Painter of Heidelberg 209. The outcome of the study challenges our knowledge of Classical Attic vase painting and provides clues about the eastern pottery trade of the late fifth century BCE. Considering the exclusivity of the cup, it must have been brought here as the product of a special and individual commission.1
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2.00
自引率
8.30%
发文量
93
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