没有思想,只有技术:威廉-卡洛斯-威廉斯、新概念和电子文学

Hazel Smith
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引用次数: 0

摘要

本文认为威廉-卡洛斯-威廉斯的作品预示了电子文学的发展,并认为电子文学是诗人现在探索新文学方向的主要领域之一。文章的前半部分探讨了威廉-卡洛斯-威廉斯的《春天与一切》和查尔斯-伯恩斯坦的里程碑式论文《岌岌可危的学院》中的新概念:William Carlos Williams Meets the MLA "一文中的新概念。文章推测了新诗在当代诗歌中的表现形式,以及新诗与实验诗之间的关系。文章还探讨了自《春与万物》和伯恩斯坦的 "学院危亡 "一文发表以来,诗歌、评论写作和学院之间的关系发生了哪些变化。文章的后半部分探讨了威廉斯参与 "The Readies "项目的情况,该项目是电子文学的先驱,他的诗歌在生成式计算机机器人中得到了处理。文章还论证了威廉斯的散文和创作实践中表达的关于空间、咏叹调和连绵词的思想与电子文学的特点之间的关系。
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No Ideas but in Technology: William Carlos Williams, Concepts of the New, and Electronic Literature
This article argues that William Carlos Williams’s work foreshadows the evolution of electronic literature, which it suggests is one of the main fields in which poets can now explore new literary directions. The first half of the article inspects concepts of the new in William Carlos Williams’s Spring and All and Charles Bernstein’s landmark essay “The Academy in Peril: William Carlos Williams Meets the MLA.” It speculates on what form the new can now take in contemporary poetry and the relationship between the new and the experimental. It also probes the changes that have taken place in the relationship between poetry, critical writing, and the academy since the publication of Spring and All and Bernstein’s “The Academy in Peril” essay. The second half of the article explores Williams’s involvement in the project The Readies that is a precursor to electronic literature and the manipulation of his poetry in generative computer bots. It also demonstrates how ideas about space, ekphrasis and enjambment expressed in Williams’s essays and creative practice relate to features of electronic literature.
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