{"title":"文学抄袭问题的互文方法：伊恩-麦克尤恩的《赎罪》、《太阳》和《我的紫香小说","authors":"James Stacey Taylor","doi":"10.1080/00111619.2024.2378107","DOIUrl":null,"url":null,"abstract":"In 2006 Ian McEwan was accused of plagiarizing sections of his 2001 novel Atonement from Lucille Andrews’ memoir No Time for Romance. This article explores how McEwan develops defenses against this...","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Intertextual Approach to the Question of Literary Plagiarism: Ian McEwan’s Atonement, Solar, and My Purple Scented Novel\",\"authors\":\"James Stacey Taylor\",\"doi\":\"10.1080/00111619.2024.2378107\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2006 Ian McEwan was accused of plagiarizing sections of his 2001 novel Atonement from Lucille Andrews’ memoir No Time for Romance. This article explores how McEwan develops defenses against this...\",\"PeriodicalId\":44131,\"journal\":{\"name\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-07-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00111619.2024.2378107\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00111619.2024.2378107","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
2006 年，伊恩-麦克尤恩（Ian McEwan）被指控在其 2001 年出版的小说《赎罪》（Atonement）中剽窃了露西尔-安德鲁斯（Lucille Andrews）回忆录《没有时间浪漫》（No Time for Romance）中的部分内容。本文探讨了麦克尤恩如何对这一指控进行辩护。
An Intertextual Approach to the Question of Literary Plagiarism: Ian McEwan’s Atonement, Solar, and My Purple Scented Novel
In 2006 Ian McEwan was accused of plagiarizing sections of his 2001 novel Atonement from Lucille Andrews’ memoir No Time for Romance. This article explores how McEwan develops defenses against this...
期刊介绍：
Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.
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