修订经典:安迪-沃霍尔如何成为最重要的美国现代艺术家

IF 1.9 2区 经济学 Q2 ECONOMICS Journal of Cultural Economics Pub Date : 2024-07-31 DOI:10.1007/s10824-024-09519-9
David W. Galenson
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引用次数: 0

摘要

对 2000 年以来出版的艺术史叙述进行的定量分析显示,学者和评论家们现在判断,安迪-沃霍尔已经超越杰克逊-波洛克和贾斯珀-约翰斯,成为最重要的现代美国画家。拍卖价格表明,收藏家也认同这一观点。按年代分列的数据显示,沃霍尔首先在 20 世纪 90 年代作为波普艺术家的领军人物获得了评论界的明确认可,然后在 2000 年代成为最重要的美国艺术家。沃霍尔地位的提升最初似乎是由于他对让-米歇尔-巴斯奇亚、凯斯-哈林等人的影响,这些人在 20 世纪 80 年代改变了纽约艺术界,随后他又对 20 世纪 90 年代以来出现的全球领先艺术家,包括达米安-赫斯特、村上隆和艾未未产生了持续的影响。沃霍尔的许多激进的概念创新改变了艺术的外观和艺术家的行为,使他不仅成为最重要的美国艺术家,而且成为二十世纪下半叶最重要的西方艺术家。
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Revising the canon: how Andy Warhol became the most important American modern artist

Quantitative analysis of narratives of art history published since 2000 reveals that scholars and critics now judge that Andy Warhol has surpassed Jackson Pollock and Jasper Johns as the most important modern American painter. Auction prices indicate that collectors share this opinion. Disaggregation by decade reveals that Warhol first gained clear critical recognition as the leading Pop artist in the 1990s, then as the most important American artist overall in the 2000s. This rise in Warhol’s status appears initially to have been a result of his influence on Jean-Michel Basquiat, Keith Haring, and others in the cohort that transformed the New York art world in the 1980s, and subsequently of his persisting influence on leading artists around the world who have emerged since the 1990s, including Damien Hirst, Takashi Murakami, and Ai Weiwei. Warhol’s many radical conceptual innovations that transformed both the appearance of art and the behavior of artists made him not only the most important American artist, but the most important Western artist overall of the second half of the twentieth century.

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来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
期刊最新文献
Beyond the big screen: secondary channel releases and their impact on the theatrical market The “Bloomington Issue” Voter mobilization with public cultural spending in small communities: evidence from Austria The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students Revising the canon: how Andy Warhol became the most important American modern artist
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