"我今天剪了头发,以分享#女性短发运动#":女权主义者自拍抗议厌女症

IF 5.5 1区 文学 Q1 COMMUNICATION Social Media + Society Pub Date : 2024-08-22 DOI:10.1177/20563051241274667
Sunah Lee
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引用次数: 0

摘要

本研究探讨了 2021 年在 Twitter(2023 年更名为 X)上发起的女权主义标签活动 #Women_Short Cut_Campaign 运动。该运动旨在为韩国女射箭运动员、奥运金牌得主安山辩护,因为她的短发被指责为仇视男性的女权主义者。本文以社交媒体的可承受性和情感政治理论为基础,探讨了女性如何利用社交媒体的可承受性来对抗性别歧视的压迫,尤其是在女性的头发充满了性别刻板印象、女性的身体在新儒家思想的影响下被历史性地剥夺了能动性的社会文化背景下。对 1,849 条推文(大部分以韩语撰写)以及 811 张自拍和图片进行的定性文本分析表明,#Women_Short Cut_Campaign(女性短发运动)是一个网络化、情感化的反公共网络,受压迫的女性在此构建反叙事,反对控制女性身体的企图。该标签还挑战了线上或线下的二元对立,并通过敦促数字网络参与者采取线下行动,扩展了传统的参与概念。参与者通过相互鼓励保护自己免受潜在的性暴力侵害,实践了媒体团结。在此过程中,他们通过优化技术的原始使用并使之情景化,实现了实践的可承受性。这项研究有助于讨论数字行动主义的可持续性以及当代女权主义多元化和多样化的必要性。它还提供了一个机会,以应对在动员西方理论时对非殖民方法的呼吁。最后,它邀请学者们在审视数字女权运动时更多地关注视觉。
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“I Had My Hair Cut Today to Share #Women_Short Cut_Campaign”: Feminist Selfies Protesting Misogyny
This study examines the #Women_Short Cut_Campaign movement, a feminist hashtag activism that began on Twitter (rebranded as X in 2023) in 2021. The movement was to defend a South Korean female archer and Olympic gold medalist, An San, from misogynistic attacks that accused her of being a man-hating feminist, given her short hairstyle. Informed by theories about social media’s affordances and affective politics, this article unpacks how women harness social media affordances to combat sexist oppression, particularly in the sociocultural context where women’s hair is fraught with gendered stereotypes and women’s bodies are historically deprived of agency under Neo-Confucian influence. The qualitative textual analysis of 1,849 tweets mostly written in Korean, with a focus on 811 selfies and images, suggests that #Women_Short Cut_Campaign functions as networked, affective counterpublics where oppressed women construct counter-narratives against the attempts to control women’s bodies. The hashtag also challenges the binary of online or offline and stretches the traditional notion of participation by urging digitally networked participants to take action offline. Participants practiced media solidarities by encouraging each other to protect themselves from potential sexual violence. In doing so, they realized affordances for practice through optimizing and contextualizing the original use of technologies. This research contributes to discussions on the sustainability of digital activism and the need for the pluralization and diversification of contemporary feminism. It also offers an opportunity to address the call for decolonial approaches in mobilizing Western-originated theories. Finally, it invites scholars to focus more on the visual in interrogating digital feminist activism.
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来源期刊
Social Media + Society
Social Media + Society COMMUNICATION-
CiteScore
9.20
自引率
3.80%
发文量
111
审稿时长
12 weeks
期刊介绍: Social Media + Society is an open access, peer-reviewed scholarly journal that focuses on the socio-cultural, political, psychological, historical, economic, legal and policy dimensions of social media in societies past, contemporary and future. We publish interdisciplinary work that draws from the social sciences, humanities and computational social sciences, reaches out to the arts and natural sciences, and we endorse mixed methods and methodologies. The journal is open to a diversity of theoretic paradigms and methodologies. The editorial vision of Social Media + Society draws inspiration from research on social media to outline a field of study poised to reflexively grow as social technologies evolve. We foster the open access of sharing of research on the social properties of media, as they manifest themselves through the uses people make of networked platforms past and present, digital and non. The journal presents a collaborative, open, and shared space, dedicated exclusively to the study of social media and their implications for societies. It facilitates state-of-the-art research on cutting-edge trends and allows scholars to focus and track trends specific to this field of study.
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