介于两者之间

IF 0.4 4区 历史学 Q1 HISTORY SOUTHERN CULTURES Pub Date : 2024-08-16 DOI:10.1353/scu.2024.a934715
Ciarra K. Walters
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The mystical wisdom of the Universe unraveled once I was among Earth's trees, mountains, deserts, and waters. In the most core-shaking moments of my life, I learned to return to these places to move beyond this physical form and ground my spiritual self. This routine would be the medicine I used during my mother's battle with cancer, the pandemic, and the uncertainty of the future in 2020.</p> <p>At the beginning of that tumultuous year, the crisp air of Maine was calling me. It was the same call I felt six summers before, and I knew this would be my summer of return. I was on a quest for a moment of safety, security, and stability. For three days, I secluded myself in Desert Island, Maine, where I would insert my body in the earth and rocks. It felt as if these cracks and openings were inviting me in, holding space for a body that was scared and overwhelmed by thoughts of the past, present, and future. My bare skin between those cold, smooth rocks rooted my anxious spirit.</p> <p><em>In Between</em> taught me the power of stepping into the unknown space. In this series, my body serves as the bridge connecting two parts that used to be one, finding solace in the between phases of life. Witnessing nature's physical transformations served as a reminder that change is inevitable. Our body comes from the Earth and will eventually belong to the Earth again.</p> <p><strong>[End Page 67]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Untitled (Between Pressure #2)</em>, Mount Desert Island, Maine, 2020.</p> <p></p> <p><strong>[End Page 68]</strong></p> <br/> Click for larger view<br/> View full resolution <p>From <em>Art in the Streets</em>, Hyattsville, Maryland, 2020.</p> <p></p> <p><strong>[End Page 69]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Untitled (Between Pressure)</em>, Mount Desert Island, Maine, 2020.</p> <p></p> <p><strong>[End Page 70]</strong></p> <br/> Click for larger view<br/> View full resolution <p>From <em>Art in the Streets</em>, Dumbo, Brooklyn, 2020.</p> <p></p> <p><strong>[End Page 71]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Untitled (Ground Studies #1)</em>, Mount Desert Island, Maine, 2020.</p> <p></p> <p><strong>[End Page 72]</strong></p> <br/> Click for larger view<br/> View full resolution <p>From <em>Art in the Streets</em>, Lower East Side, New York, 2020.</p> <p></p> <p><strong>[End Page 73]</strong></p> <br/> Click for larger view<br/> View full resolution <p><em>Untitled (Naked and Awake)</em>, Mount Desert Island, Maine, 2020.</p> <p></p> <p><strong>[End Page 74]</strong></p> <br/> Click for larger view<br/> View full resolution <p>From <em>Art In the Streets</em>, Dumbo, Brooklyn, 2020.</p> <p></p> <p><strong>[End Page 75]</strong></p> Ciarra K. Walters <p><strong><small>ciarra k. walters</small></strong> is a multidisciplinary artist whose practice spans sculpture, ceremonial performance, silkscreen, photography, and film, documenting cycles of transformation. A recent MFA graduate of photography + media &amp; society at The Maryland Institute College of Art, she is currently based in Baltimore, Maryland.</p> <p></p> Copyright © 2024 Center for the Study of the American South ... </p>","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In Between\",\"authors\":\"Ciarra K. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: Ciarra K. Walters(简历) 点击查看大图 查看完整分辨率 《无题》(衣着和睡眠),缅因州沙漠岛山,2020 年。 [自画像是我引导自己回归身体的方式。多年来,我一直不觉得自己的身体属于自己,直到我开始在加利福尼亚广阔的风景中拍摄自己。赤脚奔跑,几秒钟后跳入画面,等待胶片相机发出尖锐的咔嚓声,这让我感觉自己还活着。身体与大地的接触揭示了我的精神与大自然之间不可否认的联系。当我置身于地球上的树木、高山、沙漠和水域之中时,宇宙的神秘智慧便娓娓道来。在我生命中最震撼心灵的时刻,我学会了回到这些地方,超越物质形态,立足于精神自我。在我母亲罹患癌症、大流行病以及 2020 年前途未卜的日子里,这种日常活动都是我的良药。在那动荡的一年之初,缅因州清爽的空气在召唤我。这是我在六年前的夏天感受到的同样的召唤,我知道这将是我回归的夏天。我在寻找片刻的安全、安定和稳定。在缅因州的荒岛上,我隐居了三天,将身体插入泥土和岩石中。我感觉这些裂缝和开口似乎在邀请我进入,为我这个被过去、现在和未来的思绪吓得不知所措的身体留出空间。我裸露在冰冷光滑的岩石之间的皮肤,让我焦虑的心灵有了根基。在两者之间》让我懂得了踏入未知空间的力量。在这个系列中,我的身体成为连接过去一体两面的桥梁,在生命的两个阶段之间寻找慰藉。目睹大自然的身体变化提醒我们,变化是不可避免的。我们的身体来自地球,最终又将属于地球。[尾页 67] 点击放大 查看完整分辨率 2020 年,缅因州沙漠岛,无题(压力之间 #2)。 [页尾 68] 点击查看大图 查看完整分辨率 《街头艺术》,马里兰州海茨维尔,2020 年。 [尾页 69] 点击放大 查看完整分辨率 《无题》(压力之间),缅因州沙漠岛,2020 年。 [末页 70] 点击放大查看完整分辨率 2020 年,布鲁克林达姆博,街头艺术。 [末页 71] 点击放大 查看完整分辨率 《无题》(地面研究 #1),缅因州沙漠岛,2020 年。 [End Page 72] 点击放大查看完整分辨率 2020 年,纽约下东区,街头艺术。 [第 73 页末] 点击查看大图 查看完整分辨率 《无题》(裸体与觉醒),缅因州沙漠岛,2020 年。 [点击放大查看完整分辨率 2020 年,布鲁克林达姆博,街头艺术。 [Ciarra K. Walters Ciarra K. Walters 是一位多学科艺术家,其创作涵盖雕塑、仪式表演、丝网印刷、摄影和电影,记录了转变的周期。她是马里兰艺术学院摄影 + 媒体与印章社会学专业的应届硕士毕业生,目前居住在马里兰州巴尔的摩市。 版权所有 © 2024 美国南方研究中心...
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In Between
In lieu of an abstract, here is a brief excerpt of the content:

  • In Between
  • Ciarra K. Walters (bio)

Click for larger view
View full resolution

Untitled (Clothed and Asleep), Mount Desert Island, Maine, 2020.

[End Page 66]

Self-portraiture is the way I navigate myself back to my body. For years, my body did not feel like it belonged to me until I started photographing myself in the vast landscapes of California. Running barefoot, jumping into frame with seconds to spare, and waiting for that sharp click of my film camera made me feel alive. Physically touching the earth revealed an undeniable connection between my spirit and that of Nature. The mystical wisdom of the Universe unraveled once I was among Earth's trees, mountains, deserts, and waters. In the most core-shaking moments of my life, I learned to return to these places to move beyond this physical form and ground my spiritual self. This routine would be the medicine I used during my mother's battle with cancer, the pandemic, and the uncertainty of the future in 2020.

At the beginning of that tumultuous year, the crisp air of Maine was calling me. It was the same call I felt six summers before, and I knew this would be my summer of return. I was on a quest for a moment of safety, security, and stability. For three days, I secluded myself in Desert Island, Maine, where I would insert my body in the earth and rocks. It felt as if these cracks and openings were inviting me in, holding space for a body that was scared and overwhelmed by thoughts of the past, present, and future. My bare skin between those cold, smooth rocks rooted my anxious spirit.

In Between taught me the power of stepping into the unknown space. In this series, my body serves as the bridge connecting two parts that used to be one, finding solace in the between phases of life. Witnessing nature's physical transformations served as a reminder that change is inevitable. Our body comes from the Earth and will eventually belong to the Earth again.

[End Page 67]


Click for larger view
View full resolution

Untitled (Between Pressure #2), Mount Desert Island, Maine, 2020.

[End Page 68]


Click for larger view
View full resolution

From Art in the Streets, Hyattsville, Maryland, 2020.

[End Page 69]


Click for larger view
View full resolution

Untitled (Between Pressure), Mount Desert Island, Maine, 2020.

[End Page 70]


Click for larger view
View full resolution

From Art in the Streets, Dumbo, Brooklyn, 2020.

[End Page 71]


Click for larger view
View full resolution

Untitled (Ground Studies #1), Mount Desert Island, Maine, 2020.

[End Page 72]


Click for larger view
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From Art in the Streets, Lower East Side, New York, 2020.

[End Page 73]


Click for larger view
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Untitled (Naked and Awake), Mount Desert Island, Maine, 2020.

[End Page 74]


Click for larger view
View full resolution

From Art In the Streets, Dumbo, Brooklyn, 2020.

[End Page 75]

Ciarra K. Walters

ciarra k. walters is a multidisciplinary artist whose practice spans sculpture, ceremonial performance, silkscreen, photography, and film, documenting cycles of transformation. A recent MFA graduate of photography + media & society at The Maryland Institute College of Art, she is currently based in Baltimore, Maryland.

Copyright © 2024 Center for the Study of the American South ...

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来源期刊
CiteScore
0.30
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发文量
22
期刊介绍: In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
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