音乐家的工作动态:菲尔-尼布洛克(1933-2024 年)

IF 0.5 4区 艺术学 0 MUSIC Tempo Pub Date : 2024-08-28 DOI:10.1017/s0040298224000068
Harald Muenz, Anton Lukoszevieze, Eleanor Cully Boehringer, Walter Zimmermann, Phil Maguire
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引用次数: 0

摘要

2011 年 2 月,布鲁内尔声音系列在伦敦布鲁内尔大学举办了菲尔-尼布洛克音乐会,在已故同事鲍勃-吉尔摩(Bob Gilmore)的精心策划下,这是一次令人难忘的访问。作为一名业余单簧管演奏家,我有幸在由布鲁内尔员工和学生组成的乐团中深入学习了尼布洛克错综复杂的作品。这次活动标志着我们音乐系历史上的重要篇章,不仅在布鲁内尔大学演出,一天后还在伦敦最时尚的当代音乐俱乐部--位于达尔斯顿的 Cafe OTO 演出,在学生们的音乐之旅中留下了不可磨灭的印记。
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MOVEMENTS OF A MUSICIAN WORKING: PHILL NIBLOCK (1933–2024)
In February 2011 the Brunel Sound Series hosted Phill Niblock at Brunel University London, a memorable visit expertly orchestrated by our late colleague Bob Gilmore.1 The occasion featured Phill's Disseminate and the premiere of his TWO LIPS aka Nameless, led by Bob. As an amateur clarinet player, in an ensemble made up of Brunel staff and students, I had the privilege of delving into the intricacies of Niblock's compositions. The event marked a significant chapter in our music department's history, with performances at Brunel University and, a day later, at London's trendiest club for hip contemporary music, Cafe OTO, in Dalston, leaving an indelible imprint on our students’ musical journey, and not just theirs.2
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来源期刊
Tempo
Tempo MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
91
审稿时长
19 weeks
期刊介绍: Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
期刊最新文献
‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE THINKING ALOUD: THE SOLILOQUY CYCLE MOVEMENTS OF A MUSICIAN WORKING: PHILL NIBLOCK (1933–2024) PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES HABITUS, RESISTANCE AND THE PRODUCTION OF MUSICAL MEANING
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