非马拉地印度教流行文化与希瓦吉形象:对 YouTube 内容和社区的数字人种学探索

IF 0.1 Q4 AREA STUDIES History and Sociology of South Asia Pub Date : 2024-09-03 DOI:10.1177/22308075241274080
Mihir Keshari
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引用次数: 0

摘要

文化资料在互联网平台上的存在不应仅仅被视为针对被动目标受众的分散的、互不关联 的宣传材料。相反,它们应被视为代表一个社群的元素,并有可能通过某些渠道在某些数字空间中的存在而形成一个动态和活跃的社群。在此背景下,本文旨在了解印度教文化话语中使用希瓦吉形象的方式,以及希瓦吉形象之所以具有大规模情感吸引力的原因,尤其是在非马拉地文化景观中。本文通过分析某些流行的 YouTube 频道、它们的内容以及它们似乎形成的社区来实现这一目的。为此,文章分为两个部分:第一部分调查了几个选定的 YouTube 频道、它们的社区和内容,第二部分分析了在有关希瓦吉的更广泛的历史学辩论中收集到的数据并将其与背景联系起来,以论证在印度教文化话语中,希瓦吉的形象之所以具有流行的情感吸引力和可接受性,其原因在于与他的性格相关的社会文化和历史矛盾性,在这种矛盾性中,他代表了一种新的革命力量,既能抵御外部冲击,也能对抗内部正统观念。有观点认为,正是这种矛盾性使希瓦吉的形象在情感上具有吸引力,从而为广大印度教民众所接受,使他们每个人都能以自己的方式诠释、适应希瓦吉的形象,并与之产生共鸣。
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Non-Marathi Hindutva Pop Culture and the Imagery of Shivaji: A Digital Ethnographic Exploration of YouTube Contents and Communities
The presence of cultural materials across Internet platforms should not be solely seen as diffused and disconnected propaganda materials directed towards a passive target audience. Instead, they should be seen as elements representing a community and as having the potential to form a dynamic and active community of their own through their presence in certain digital spaces through certain channels. Hence, a study of such online communities and their constituent cultural materials, together with their interrelation with the physical community, can help us to understand the actual social phenomenon marking such cultural production.In this background, the aim of this article is to understand the ways through which the image of Shivaji is employed in Hindutva cultural discourses, along with the reasons which account for the large-scale emotional appeal of the figure of Shivaji, particularly in the non-Marathi cultural landscape. This is done through an analysis of certain popular YouTube channels, their contents and the communities they appear to form. For this purpose, the article is divided into two parts: While part one surveys a few selected YouTube channels, their communities and contents, the second part analyses and contextualises the data thus gathered within the larger historiographical debates concerning Shivaji, to argue that the reason behind the popular emotional appeal and acceptability of the figure of Shivaji in Hindutva cultural discourse emanates from the sociocultural and historical ambivalence associated with his character, where he represents a fresh new revolutionary force against external onslaught as well as against internal orthodoxy. It is argued that it is this ambivalence which has made the figure of Shivaji emotionally appealing and hence acceptable to a wide section of the Hindu populace, allowing each of them to interpret, appropriate and relate with the figure of Shivaji in its own way.
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来源期刊
CiteScore
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自引率
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发文量
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期刊介绍: History and Sociology of South Asia provides a forum for scholarly interrogations of significant moments in the transformation of the social, economic and political fabric of South Asian societies. Thus the journal advisedly presents an interdisciplinary space in which contemporary ideas compete, and critiques of existing perspectives are encouraged. The interdisciplinary focus of the journal enables it to incorporate diverse areas of research, including political economy, social ecology, and issues of minority rights, gender, and the role of law in development. History and Sociology of South Asia also promotes dialogue on socio-political problems, from which academicians as well as activists and advocacy groups can benefit.
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