{"title":"重塑情人之舞:两个人的 \"气\",认识我们的多迷走解剖学、\"咬/抢 \"和语言","authors":"Dee Wagner, Mukti Jarvis, Fred Shelton","doi":"10.1007/s10465-024-09406-y","DOIUrl":null,"url":null,"abstract":"<div><p>When lovers sense anxiousness in their bodies—and want to “bite each other’s heads off,” they might go to couples counseling for help with communication. Like parents trying to help siblings “use their words,” counselors try to help lovers talk. In couples dance/movement therapy, it is helpful to look at the physiology of language with awareness provided by the method called <i>Chi for Two</i>. <i>Chi for Two</i>—The Energetic Dance of Healthy Relationship was originated by a long-time dance/movement therapist. It synthesizes knowledge of nervous system functioning, infant development, and trauma patterning, which is passed down over generations, plus how the therapeutic relationship shifts attachment styles. Dance/movement therapists who have this knowledge can help lovers recognize when their interactions awaken unfinished infant/parent dances involving the “biting/snapping” rhythm from the Kestenberg Movement Profile system, adapted for <i>Chi for Two</i>. (The authors use the word “lovers” to name people who are engaging in mutually consensual sexual sharing with one another.) The biting/snapping rhythm is key in articulating language. When lovers can recognize what is happening in their bodies during their efforts to use words, they can learn to bring the bite/snap infant movement expressions to dance/movement therapists to work through those moves. When lovers work through the infant movement patterns with the dance/movement therapist in the presence of a romantic partner, but not acted out with the romantic partner, lovers can celebrate their partners’ bravery in doing their individual healing and relational re-patterning.</p></div>","PeriodicalId":44552,"journal":{"name":"AMERICAN JOURNAL OF DANCE THERAPY","volume":"46 2","pages":"158 - 166"},"PeriodicalIF":0.8000,"publicationDate":"2024-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Re-patterning the Lover Dance: Chi for Two Awareness of Our Polyvagal Anatomy, “Biting/Snapping,” and Language\",\"authors\":\"Dee Wagner, Mukti Jarvis, Fred Shelton\",\"doi\":\"10.1007/s10465-024-09406-y\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>When lovers sense anxiousness in their bodies—and want to “bite each other’s heads off,” they might go to couples counseling for help with communication. Like parents trying to help siblings “use their words,” counselors try to help lovers talk. In couples dance/movement therapy, it is helpful to look at the physiology of language with awareness provided by the method called <i>Chi for Two</i>. <i>Chi for Two</i>—The Energetic Dance of Healthy Relationship was originated by a long-time dance/movement therapist. It synthesizes knowledge of nervous system functioning, infant development, and trauma patterning, which is passed down over generations, plus how the therapeutic relationship shifts attachment styles. Dance/movement therapists who have this knowledge can help lovers recognize when their interactions awaken unfinished infant/parent dances involving the “biting/snapping” rhythm from the Kestenberg Movement Profile system, adapted for <i>Chi for Two</i>. (The authors use the word “lovers” to name people who are engaging in mutually consensual sexual sharing with one another.) The biting/snapping rhythm is key in articulating language. When lovers can recognize what is happening in their bodies during their efforts to use words, they can learn to bring the bite/snap infant movement expressions to dance/movement therapists to work through those moves. When lovers work through the infant movement patterns with the dance/movement therapist in the presence of a romantic partner, but not acted out with the romantic partner, lovers can celebrate their partners’ bravery in doing their individual healing and relational re-patterning.</p></div>\",\"PeriodicalId\":44552,\"journal\":{\"name\":\"AMERICAN JOURNAL OF DANCE THERAPY\",\"volume\":\"46 2\",\"pages\":\"158 - 166\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2024-09-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN JOURNAL OF DANCE THERAPY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://link.springer.com/article/10.1007/s10465-024-09406-y\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"PSYCHOLOGY, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN JOURNAL OF DANCE THERAPY","FirstCategoryId":"1085","ListUrlMain":"https://link.springer.com/article/10.1007/s10465-024-09406-y","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PSYCHOLOGY, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
当恋人们感觉到身体的焦虑,想要 "咬掉对方的头 "时,他们可能会去夫妻咨询中心寻求沟通方面的帮助。就像父母试图帮助兄弟姐妹 "使用他们的语言 "一样,心理咨询师也试图帮助情侣们交谈。在情侣舞蹈/运动疗法中,通过一种名为 "双人活力舞"(Chi for Two)的方法来了解语言的生理学是很有帮助的。Chi for Two--健康关系的活力之舞 "是由一位长期从事舞蹈/运动治疗的专家创立的。它综合了神经系统功能、婴儿发育、世代相传的创伤模式,以及治疗关系如何转变依恋风格等方面的知识。掌握这些知识的舞蹈/运动治疗师可以帮助恋人们认识到,当他们之间的互动唤醒了未完成的婴儿/父母舞蹈,其中涉及凯斯腾伯格运动档案系统中的 "咬/抢 "节奏,该系统已被改编为 "双人舞蹈"(Chi for Two)。(作者用 "恋人 "一词来指代彼此同意进行性分享的人)。咬合/扣合节奏是语言表达的关键。当恋人们能够认识到他们在努力使用语言时身体发生了什么变化时,他们就可以学会把咬合/拍打婴儿动作的表达方式带给舞蹈/运动治疗师,以解决这些动作问题。当恋人与舞蹈/动作治疗师一起在恋爱伴侣在场的情况下完成婴儿动作模式,但不与恋爱伴侣一起表演时,恋人可以为伴侣勇敢地进行个人治疗和关系重塑而庆祝。
Re-patterning the Lover Dance: Chi for Two Awareness of Our Polyvagal Anatomy, “Biting/Snapping,” and Language
When lovers sense anxiousness in their bodies—and want to “bite each other’s heads off,” they might go to couples counseling for help with communication. Like parents trying to help siblings “use their words,” counselors try to help lovers talk. In couples dance/movement therapy, it is helpful to look at the physiology of language with awareness provided by the method called Chi for Two. Chi for Two—The Energetic Dance of Healthy Relationship was originated by a long-time dance/movement therapist. It synthesizes knowledge of nervous system functioning, infant development, and trauma patterning, which is passed down over generations, plus how the therapeutic relationship shifts attachment styles. Dance/movement therapists who have this knowledge can help lovers recognize when their interactions awaken unfinished infant/parent dances involving the “biting/snapping” rhythm from the Kestenberg Movement Profile system, adapted for Chi for Two. (The authors use the word “lovers” to name people who are engaging in mutually consensual sexual sharing with one another.) The biting/snapping rhythm is key in articulating language. When lovers can recognize what is happening in their bodies during their efforts to use words, they can learn to bring the bite/snap infant movement expressions to dance/movement therapists to work through those moves. When lovers work through the infant movement patterns with the dance/movement therapist in the presence of a romantic partner, but not acted out with the romantic partner, lovers can celebrate their partners’ bravery in doing their individual healing and relational re-patterning.
期刊介绍:
American Journal of Dance Therapy informs the international mental health community on the latest findings in dance/movement therapy theory, research, and clinical practice by presenting original contributions, case material, reviews, and studies by leading practitioners and educators in the field. The journal, reflecting the dramatic expansion of the profession over the last half-century, publishes timely articles on working with new populations, changing goals, innovative techniques, and new methods of training. Current professional issues, outcome research, and assessment tools are also examined and evaluated. This biannual forum encourages dance/movement therapists and allied mental health professionals to test their theoretical premises and share their ideas. It is a valuable resource for administrators, psychiatrists, psychologists, social workers, and creative arts therapists in the disciplines of music, art, and drama.