受害者行为与创伤恢复:通过米凯拉-科尔的《我可能会毁掉你》中的幻想表现英国黑人的女性特质

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION Critical Studies in Television Pub Date : 2024-11-14 DOI:10.1177/17496020241298777
Richard Bramwell
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引用次数: 0

摘要

本文探讨了电视剧《我可能会毁掉你》(2020 年)中对创伤恢复的表现。有关虚构电视节目中强奸的研究绝大多数集中在强奸神话或如何表现强奸。关于电视剧中强奸创伤恢复的研究却很少。本文通过对创伤恢复过程的关注,为虚构电视节目中强奸问题的研究做出了贡献。Michaela Coel 描绘了从性侵犯的创伤经历中恢复的过程,为有关性暴力、受害者行为和英国黑人身份的讨论做出了细致入微的贡献。
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Victim behaviour and trauma recovery: Representing black British femininity through fantasy in Michaela Coel’s I May Destroy You
This paper examines the representation of trauma recovery in the television series I May Destroy You ( 2020 ). Research on rape in fictional television programmes overwhelmingly focus on rape myths or how rape is represented. There is scant research on recovery from rape trauma in television drama. This paper contributes to scholarship on rape in fictional television, through a focus on the process of trauma recovery. Michaela Coel’s portrayal of the struggle to recover from the traumatic experience of sexual assault, makes a nuanced contribution to debates on sexual violence, victim behaviour, and black British identity.
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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