漏水的管道:英国铜管乐器演奏中的性别比例

IF 1 3区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH British Journal of Music Education Pub Date : 2024-12-12 DOI:10.1017/s0265051724000329
Eleanor Guénault, Jane Ginsborg, John Habron-James
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引用次数: 0

摘要

最近的研究探讨了管弦乐队的性别比例,但没有专门针对铜管乐器演奏,这是一个历史上男性化的领域。三项研究调查了各种铜管演奏情境中的性别比例。公共领域和问卷调查数据使用描述性统计分析,卡方检验发现仪器大小对性别比例有显著影响。女性铜管乐手比例最高的是青年乐团,其次是自由职业者、半专业铜管乐队和专业管弦乐队,这表明存在管道泄漏效应。这些结果表明,在大多数铜管乐器演奏环境中,尤其是在最负盛名的职位上,女性的代表性仍然不足,在音乐教育中可以做更多的事情来改变这种状况。
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The leaky pipeline: gender ratios in UK brass playing

Recent research has explored gender ratios in orchestras but not specifically in brass playing, a historically masculine field. Three studies investigated gender ratios in a variety of brass-playing situations. Public domain and questionnaire data were analysed using descriptive statistics, and a chi-square test found a significant effect of instrument size on gender ratios. The highest percentage of female brass players was found in youth ensembles, followed by the freelance workforce, semi-professional brass bands and then professional orchestras, indicating a leaky pipeline effect. These results show that women are still under-represented in most brass-playing contexts, particularly the most prestigious positions, and that more can be done in music education to change this.

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来源期刊
CiteScore
2.40
自引率
10.00%
发文量
37
期刊最新文献
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