音乐和助听器——介绍。

Marshall Chasin
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引用次数: 19

摘要

现代数字助听器的语音保真度比前几十年有所提高。然而,音乐却并非如此。大多数现代助听器都有其“前端”的限制,其中包括模拟-数字(a /D)转换器。由于许多原因,作为助听器输入的音乐的频谱性质超出了“前端”组件的最佳操作条件。放大后的音乐往往保真度很差。一旦音乐信号失真,再多的软件操作也无法改善电路。解决方案不是软件问题。音乐的一些特征使得它很难在没有明显失真的情况下进行转导,包括相对于语音的声级增加,以及波峰系数——信号的瞬时峰值与其有效值之间的dB差。临床策略和技术创新有助于提高放大音乐的保真度,其中包括降低呈现给a /D转换器的输入电平。
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Music and hearing aids--an introduction.

Modern digital hearing aids have provided improved fidelity over those of earlier decades for speech. The same however cannot be said for music. Most modern hearing aids have a limitation of their "front end," which comprises the analog-to-digital (A/D) converter. For a number of reasons, the spectral nature of music as an input to a hearing aid is beyond the optimal operating conditions of the "front end" components. Amplified music tends to be of rather poor fidelity. Once the music signal is distorted, no amount of software manipulation that occurs later in the circuitry can improve things. The solution is not a software issue. Some characteristics of music that make it difficult to be transduced without significant distortion include an increased sound level relative to that of speech, and the crest factor- the difference in dB between the instantaneous peak of a signal and its RMS value. Clinical strategies and technical innovations have helped to improve the fidelity of amplified music and these include a reduction of the level of the input that is presented to the A/D converter.

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来源期刊
Trends in Amplification
Trends in Amplification AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY-OTORHINOLARYNGOLOGY
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期刊最新文献
Laboratory and field study of the potential benefits of pinna cue-preserving hearing aids. Modern prescription theory and application: realistic expectations for speech recognition with hearing AIDS. The perception of telephone-processed speech by combined electric and acoustic stimulation. The master hearing aid. How linguistic closure and verbal working memory relate to speech recognition in noise--a review.
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