使用智能手机的大规模观众参与现场音乐。

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS Journal of New Music Research Pub Date : 2020-02-09 eCollection Date: 2020-01-01 DOI:10.1080/09298215.2020.1722181
Oliver Hödl, Christoph Bartmann, Fares Kayali, Christian Löw, Peter Purgathofer
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引用次数: 13

摘要

我们提出了一项关于智能手机技术在涉及观众参与的大型音乐表演中的作用和使用的研究和反思。我们评估了一个完整的设计和开发过程,从最初的想法到最终的性能概念。我们发现智能手机同时成为了设计工具、技术设备和乐器。作为一种使用超声波通信作为交互技术的技术设备,智能手机成为艺术家创作的灵感来源。为了支持艺术家,我们注意到保持艺术控制以实现艺术意图的普遍重要性。这涉及共同设计过程和由此产生的观众参与概念,并支持对此类参与性工作的建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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Large-scale audience participation in live music using smartphones.

We present a study and reflection about the role and use of smartphone technology for a large-scale musical performance involving audience participation. We evaluated a full design and development process from initial ideation to a final performance concept. We found that the smartphone became the design tool, the technical device and the musical instrument at the same time. As a technical device that uses ultrasound communication as interaction technique, the smartphone became inspirational for the artist's creative work. In aiming to support the artist, we observed pervasive importance of retaining artistic control to realise artistic intent. This concerns the co-design process and the resulting concept of audience participation and supports recommendations for such participatory work.

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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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