{"title":"愤怒的容器和上帝的病理:罗马书9:20-23中的波特/粘土意象","authors":"Jason A. Staples","doi":"10.1017/S0017816022000116","DOIUrl":null,"url":null,"abstract":"Abstract Starting from the concept of divine patience in Rom 9:22, this article argues that Paul employs the potter/clay metaphor not (as often interpreted) to defend God’s right to arbitrary choice but rather as an appeal to what Abraham Heschel called divine pathos—the idea that God’s choices are impacted by human actions. The potter/clay imagery in Rom 9:20–23 thus serves to highlight the dynamic and improvisational way the God of Israel interacts with Israel and, by extension, all of creation.","PeriodicalId":46365,"journal":{"name":"HARVARD THEOLOGICAL REVIEW","volume":"20 4","pages":"197 - 218"},"PeriodicalIF":0.5000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Vessels of Wrath and God’s Pathos: Potter/Clay Imagery in Rom 9:20–23\",\"authors\":\"Jason A. Staples\",\"doi\":\"10.1017/S0017816022000116\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Starting from the concept of divine patience in Rom 9:22, this article argues that Paul employs the potter/clay metaphor not (as often interpreted) to defend God’s right to arbitrary choice but rather as an appeal to what Abraham Heschel called divine pathos—the idea that God’s choices are impacted by human actions. The potter/clay imagery in Rom 9:20–23 thus serves to highlight the dynamic and improvisational way the God of Israel interacts with Israel and, by extension, all of creation.\",\"PeriodicalId\":46365,\"journal\":{\"name\":\"HARVARD THEOLOGICAL REVIEW\",\"volume\":\"20 4\",\"pages\":\"197 - 218\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"HARVARD THEOLOGICAL REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0017816022000116\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"HARVARD THEOLOGICAL REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0017816022000116","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
Vessels of Wrath and God’s Pathos: Potter/Clay Imagery in Rom 9:20–23
Abstract Starting from the concept of divine patience in Rom 9:22, this article argues that Paul employs the potter/clay metaphor not (as often interpreted) to defend God’s right to arbitrary choice but rather as an appeal to what Abraham Heschel called divine pathos—the idea that God’s choices are impacted by human actions. The potter/clay imagery in Rom 9:20–23 thus serves to highlight the dynamic and improvisational way the God of Israel interacts with Israel and, by extension, all of creation.
期刊介绍:
Harvard Theological Review has been a central forum for scholars of religion since its founding in 1908. It continues to publish compelling original research that contributes to the development of scholarly understanding and interpretation in the history and philosophy of religious thought in all traditions and periods - including the areas of Judaic studies, Hebrew Bible, New Testament, Christianity, archaeology, comparative religious studies, theology and ethics.