夕阳下的印度群岛:早期现代西班牙如何将远东绘制为跨太平洋的西部

Mauricio Onetto Pavez
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引用次数: 2

摘要

本书分为四个部分,第一部分讨论了“古代”的新定义,并将其与第一次世界大战后的帝国秩序联系起来,而其他三个部分则涉及不同地理区域的发展——巴勒斯坦(第61-155页)、美索不达米亚(第157-246页)和埃及(第247-342页)。这本书的内容令人感兴趣。梅尔曼最出色的地方在于她所做的大量研究和她费心咨询的资料来源。像《美索不达米亚的谋杀:流行犯罪小说中的古代、现代流派和性别》(第191-215页)这样的章节,是关于阿加莎·克里斯蒂和她的考古学家丈夫马克斯·马洛文的,读起来真的很愉快。将资料来源和评论作为脚注放在有关页的底部,而不是放在卷的后面,这也是一个值得欢迎的发展。没有那么多的文字来压倒叙述的流程,这种安排为那些对文本中的评论或结论感兴趣的人节省了时间。
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The Indies of the Setting Sun: How Early Modern Spain Mapped the Far East as the Transpacific West
Divided into four parts, the first discusses new definitions of “antiquity” and relates them to the post-World War I imperial order, while the other three deal with developments in different geographical regions – Palestine (pp. 61–155), Mesopotamia (pp. 157–246) and Egypt (pp. 247–342). The book’s contents command interest. Melman is at her strongest in the immense amount of research she has undertaken and the sources she has troubled to consult. Chapters such as “Murder in Mesopotamia: Antiquity, Genres of Modernity, and Gender in the Popular Crime Novel” (pp. 191–215), dealing with Agatha Christie and Max Mallowan, her archeologist husband, can be read with genuine pleasure. The placement of sources and comments at the bottom of relevant pages as footnotes, rather than at the back of the volume, is also a welcome development. There are not so many as to overpower the flow of the narrative and this arrangement saves real time for those who are interested in following up on comments or conclusions in the text.
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来源期刊
CiteScore
0.50
自引率
50.00%
发文量
41
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