编辑

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Journal of the Institute of Conservation Pub Date : 2021-05-04 DOI:10.1080/19455224.2021.1930705
J. Kemp
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The data generated give an understanding of the way the coins were minted and identify their corrosion products, both of which help conservators to treat them, in the context of their original storage jars, in contrast to previous treatments designed to reveal different object-specific data relating to their iconography and history. The second contribution, Rosie Shepley’s ‘Going off-piste: a case study of the treatment of three lithographic ski posters’, traverses the tricky terrain of client expectation and professional and personal ethics and preferences. In describing the quite different treatments of a set of three posters, she accommodates improving the stability and aesthetic of the posters sufficiently enough for them to be offered for sale by the client, while keeping her treatments aligned with ethical guidance in the profession. In introducing the third article, I should first alert readers that Anthony Read and Bethan Bryan’s ‘Conservation treatment of recently discovered bog bodies at the National Museum of Ireland’ contains images of ancient dead bodies. Read and Bryan give a precise overview of past and current methods of preservation for these invaluable data repositories before describing the results of freeze-drying three recently discovered bodies at NMI with poly-ethylene-glycol. The visual anomalies this treatment provoked prompts their recommendation for a moratorium on its use at NMI until alternative methods are researched. Charles Stable et al. end this mid-year issue with their collaborative assessment of a previous conservation treatment regime that had been charged with transforming archaeological fragments from Egypt into a fulsome museum display at the National Museum of Scotland. In ‘Rediscovering Ancient Egypt: consideration of the legacy, ethics and aesthetics of previously restored Egyptian artefacts’ they unpick the wider concerns at the time to help inform their own approaches to the re-conservation of some of the same items, including gilded coffins, stone statuary, and smaller inlaid wood and faience items. Finally, in my last Editorial I asked if you had seen something different about the feel of the print issue in your hands. This time I think you will have definitely noticed how the print issue arrived via what’s called ‘naked mailing’. This is another response by Icon to reduce it's carbon footprint, so I do hope it landed well with you all! Below is a link to a short survey to gather ICONmember feedback on the ‘naked mailing’ trial for JIC, which involves mailing copies without any non-biodegradable packaging and printing customer addresses directly onto the journal back cover. 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The second contribution, Rosie Shepley’s ‘Going off-piste: a case study of the treatment of three lithographic ski posters’, traverses the tricky terrain of client expectation and professional and personal ethics and preferences. In describing the quite different treatments of a set of three posters, she accommodates improving the stability and aesthetic of the posters sufficiently enough for them to be offered for sale by the client, while keeping her treatments aligned with ethical guidance in the profession. In introducing the third article, I should first alert readers that Anthony Read and Bethan Bryan’s ‘Conservation treatment of recently discovered bog bodies at the National Museum of Ireland’ contains images of ancient dead bodies. Read and Bryan give a precise overview of past and current methods of preservation for these invaluable data repositories before describing the results of freeze-drying three recently discovered bodies at NMI with poly-ethylene-glycol. 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引用次数: 0

摘要

治疗登记谈判是这一期的一个特点,这是2021年的第二期。处理的方式、时间和原因不仅表明了一些可用的方法和技术,而且还表明了如何根据保护者所处的更广泛的组织和文化需求来定义它们。因此,第一个贡献,Elaheh Hajjari, Omid Oudbashi和Esmail Hemati Azandaryani的“对伊朗萨法维时期的两批波斯铜币的腐蚀机制和保存状态的技术研究”,提出了对伊朗一些地位较低的硬币的分析结果。生成的数据可以让人们了解硬币的铸造方式,并识别它们的腐蚀产物,这两者都有助于保护人员在原始储存罐的背景下处理它们,而不是之前的处理方法,旨在揭示与它们的图像和历史相关的不同对象特定数据。第二个贡献是Rosie Shepley的《离开滑雪道:三张平版滑雪海报的处理案例研究》,穿越了客户期望、职业和个人道德和偏好的棘手领域。在描述一组三张海报的不同处理方法时,她充分考虑了提高海报的稳定性和美感,以便客户提供销售,同时使她的处理方法与职业道德指导保持一致。在介绍第三篇文章时,我应该首先提醒读者,安东尼·里德和贝特森·布莱恩的《对爱尔兰国家博物馆最近发现的沼泽尸体的保护处理》中包含了古代尸体的图像。Read和Bryan在描述用聚乙二醇冷冻干燥NMI最近发现的三具尸体的结果之前,对这些宝贵的数据存储库的过去和现在的保存方法进行了精确的概述。这种治疗引起的视觉异常促使他们建议暂停在NMI使用,直到研究出替代方法。查尔斯·斯特布尔等人在年中结束了他们对以前的保护处理制度的合作评估,该制度被指控将来自埃及的考古碎片转变为苏格兰国家博物馆的博物馆展品。在《重新发现古埃及:考虑先前修复的埃及文物的遗产、伦理和美学》一书中,他们剖析了当时更广泛的关注,以帮助告知他们自己对一些相同物品的重新保护方法,包括镀金棺材、石像和较小的镶嵌木材和陶器。最后,在我的上一篇社论中,我问你是否看到了印刷版在你手中的不同感觉。这一次,我想你肯定会注意到印刷品是如何通过所谓的“裸邮”到达的。这是Icon减少碳足迹的另一个回应,所以我希望它能得到大家的欢迎!以下是一个简短的调查链接,旨在收集ICONmember对JIC“裸邮寄”试验的反馈,该试验包括邮寄没有任何不可生物降解包装的副本,并将客户地址直接印在杂志封底上。如果您的副本已经损坏,并且您需要索赔,请联系societies@tandf.co.uk,包括期刊名称,卷和期号以及您的邮政地址的详细信息。https://www.surveymonkey.co.uk/r/ F6QDDTC
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Editorial
Negotiating registers of treatments is a feature of this, the second issue of 2021. The how, when and why of treatments indicate not only something of the approaches and techniques available, but how they are also defined by the wider organisational and cultural needs in which the conservator operates. So, the first contribution, Elaheh Hajjari, Omid Oudbashi and Esmail Hemati Azandaryani’s ‘Technical studies on the mechanisms of corrosion and state of conservation of two hoards of Persian copper coins ( folus) from the Safavid period in Iran’, presents the results of analyses of some lower status coins from Iran. The data generated give an understanding of the way the coins were minted and identify their corrosion products, both of which help conservators to treat them, in the context of their original storage jars, in contrast to previous treatments designed to reveal different object-specific data relating to their iconography and history. The second contribution, Rosie Shepley’s ‘Going off-piste: a case study of the treatment of three lithographic ski posters’, traverses the tricky terrain of client expectation and professional and personal ethics and preferences. In describing the quite different treatments of a set of three posters, she accommodates improving the stability and aesthetic of the posters sufficiently enough for them to be offered for sale by the client, while keeping her treatments aligned with ethical guidance in the profession. In introducing the third article, I should first alert readers that Anthony Read and Bethan Bryan’s ‘Conservation treatment of recently discovered bog bodies at the National Museum of Ireland’ contains images of ancient dead bodies. Read and Bryan give a precise overview of past and current methods of preservation for these invaluable data repositories before describing the results of freeze-drying three recently discovered bodies at NMI with poly-ethylene-glycol. The visual anomalies this treatment provoked prompts their recommendation for a moratorium on its use at NMI until alternative methods are researched. Charles Stable et al. end this mid-year issue with their collaborative assessment of a previous conservation treatment regime that had been charged with transforming archaeological fragments from Egypt into a fulsome museum display at the National Museum of Scotland. In ‘Rediscovering Ancient Egypt: consideration of the legacy, ethics and aesthetics of previously restored Egyptian artefacts’ they unpick the wider concerns at the time to help inform their own approaches to the re-conservation of some of the same items, including gilded coffins, stone statuary, and smaller inlaid wood and faience items. Finally, in my last Editorial I asked if you had seen something different about the feel of the print issue in your hands. This time I think you will have definitely noticed how the print issue arrived via what’s called ‘naked mailing’. This is another response by Icon to reduce it's carbon footprint, so I do hope it landed well with you all! Below is a link to a short survey to gather ICONmember feedback on the ‘naked mailing’ trial for JIC, which involves mailing copies without any non-biodegradable packaging and printing customer addresses directly onto the journal back cover. If your copy has arrived damaged and you need to request a claim, please contact societies@tandf.co.uk, including details of the journal name, the volume and issue number, and your postal address. https://www.surveymonkey.co.uk/r/ F6QDDTC
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来源期刊
Journal of the Institute of Conservation
Journal of the Institute of Conservation HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
22
期刊介绍: The Journal of the Institute of Conservation is the peer reviewed publication of the Institute of Conservation (Icon). As such, its aims reflect those of Icon, to advance knowledge and education in conservation and achieve the long term preservation and conservation of moveable and immoveable cultural heritage. The Journal provides a collective identity for conservators; it promotes and supports both the profession and professionalism. With international contributions on all aspects of conservation, it is an invaluable resource for the heritage sector. The specific aims of the Journal are to: 1. promote research, knowledge and understanding of cultural heritage conservation through its history, practice and theory 2. provide an international forum to enable and disseminate advances in research, knowledge and understanding relating to conservation and heritage 3. champion and support professional standards of heritage conservation in the UK and internationally 4. provide a permanent record of issues relating to conservation and heritage 5. be financially and operationally sustainable. To achieve these aims, the Journal invites contributions from all those involved in the conservation of cultural heritage and related activities. Areas of interest include understanding cultural heritage materials and their degradation; subject reviews and histories of cultural heritage materials and conservation treatments; new, innovative or improved approaches to conservation and collections care theory, practice, communication, management and training; case studies demonstrating new, innovative or improved approaches; and conservation in its wider context. Submitters are encouraged to demonstrate how their work is of practical application to conservation. To maintain professional standards and promote academic rigour, submissions of articles and shorter notices are subject to an anonymous peer review process.
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The prioritisation of development projects and devaluation of cultural heritage: the case of material culture in Wolaita, southern Ethiopia Instilling liveliness: archives of neo-avant-garde art as sites of activation. Predicting the changing insect threat in the UK heritage environment A prognostic and health management approach using colour fade to determine the condition of silk in a museum display environment Marinita Stiglitz reviews
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