身体红场,皮尔斯,克里斯蒂娃和格雷马斯

IF 1 1区 文学 0 HUMANITIES, MULTIDISCIPLINARY Sign Systems Studies Pub Date : 2020-12-31 DOI:10.12697/SSS.2020.48.2-4.09
Herman Tamminen
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引用次数: 0

摘要

Ground(Charles Peirce的概念)——无论它是被视为动机还是抽象性——都提供了一个命题,即一些抽象的意义类别是通过身体体验获得它们的品质的。为了证明这一点,基础的概念将与符号学和符号学之间的划分(根据Julia Kristeva的说法)结合在一起,符号合唱将被证明在感知的接受方面是一个价值论的胸腺范畴(继Algirdas Greimas之后),最后提出,正是这个基础使文化作为一个整体具有连贯性和必然性,并对其立体性负责。这一过程将进一步推动模态符号学的出现,它允许我们放弃符号,以获得对我们自己存在的不合时宜的新颖理解。
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Body ground red – integrating Peirce, Kristeva and Greimas
Ground (Charles Peirce’s concept) – regardless whether it be taken as motivation or abstractness – affords the proposition that some abstract categories of meaning have acquired their qualities via bodily experience. In order to show this to be the case, the concept of ground will be drawn together with the division (according to Julia Kristeva) between the symbolic and the semiotic, the semiotic chora will be shown to function as an axiologizing thymic category as regard reception of perception (following Algirdas Greimas), and finally it will be proposed that it is this foundation that enables the coherence and inevitability of culture as a whole, being responsible for its stereoscopic quality as well. This procedure will further the haply sacrilegious march towards the emergence of modal semiotics, which allows us to dispense of signs in order to gain an anachronistically novel understanding of our own being.
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来源期刊
Sign Systems Studies
Sign Systems Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.40
自引率
0.00%
发文量
11
审稿时长
8 weeks
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