{"title":"当代土耳其文化中对拜占庭的普遍看法","authors":"K. Durak","doi":"10.1017/byz.2022.31","DOIUrl":null,"url":null,"abstract":"The aim of this article is to present the sources available to the ordinary Turkish citizen for forming an opinion about Byzantium. These sources range from the written (school curricula to newspapers) to the visual (cinema to television), and I categorize them on the basis of a set of criteria such as accessibility, control over the audience, and intellectual depth. I aim to show how non-state actors have been laying the groundwork for a more informed perception of Byzantium. Movies, theatrical productions, and cartoons in humorous magazines satirizing the essentializing view of the Byzantine past through parody, are shown to play a deconstructive role in this process.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"47 1","pages":"123 - 139"},"PeriodicalIF":0.3000,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The popular perception of Byzantium in contemporary Turkish culture\",\"authors\":\"K. Durak\",\"doi\":\"10.1017/byz.2022.31\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this article is to present the sources available to the ordinary Turkish citizen for forming an opinion about Byzantium. These sources range from the written (school curricula to newspapers) to the visual (cinema to television), and I categorize them on the basis of a set of criteria such as accessibility, control over the audience, and intellectual depth. I aim to show how non-state actors have been laying the groundwork for a more informed perception of Byzantium. Movies, theatrical productions, and cartoons in humorous magazines satirizing the essentializing view of the Byzantine past through parody, are shown to play a deconstructive role in this process.\",\"PeriodicalId\":43258,\"journal\":{\"name\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"volume\":\"47 1\",\"pages\":\"123 - 139\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-12-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/byz.2022.31\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BYZANTINE AND MODERN GREEK STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/byz.2022.31","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The popular perception of Byzantium in contemporary Turkish culture
The aim of this article is to present the sources available to the ordinary Turkish citizen for forming an opinion about Byzantium. These sources range from the written (school curricula to newspapers) to the visual (cinema to television), and I categorize them on the basis of a set of criteria such as accessibility, control over the audience, and intellectual depth. I aim to show how non-state actors have been laying the groundwork for a more informed perception of Byzantium. Movies, theatrical productions, and cartoons in humorous magazines satirizing the essentializing view of the Byzantine past through parody, are shown to play a deconstructive role in this process.
期刊介绍:
Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.