{"title":"运输中的不稳定:Helon Habila的《旅行者》","authors":"Helga Ramsey–Kurz","doi":"10.1080/1013929X.2020.1795349","DOIUrl":null,"url":null,"abstract":"This article offers a reading of Helon Habila’s latest novel Travellers, which was inspired by the onset of the so-called European refugee crisis in 2013. The essay pays special attention to the embodied act of narration and its exploitation by Habila as a mode of cultivating a compassionate understanding of forcibly displaced persons and their often precarious lives in prolonged transit. The analysis follows Butler’s idea of narrative as a mode, on the one hand, of humanising lives violently erased, as they all too often are in the event of involuntary migration, and, on the other, of restoring to “the ethically conscious” world their “capacity to mourn”, where it has been undermined by the systematic denial of human suffering by the nation state and dominant asylum discourse. Theoretical as this approach may appear at first glance, the essay’s goal is to demonstrate that, for Habila’s protagonist, learning to listen to other people’s stories properly and compassionately means to distance himself from the abstract projections of refugee subjecthood he himself endorses as the cosmopolitan intellectual he represents at the outset.","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/1013929X.2020.1795349","citationCount":"1","resultStr":"{\"title\":\"Precarity in Transit: Travellers by Helon Habila\",\"authors\":\"Helga Ramsey–Kurz\",\"doi\":\"10.1080/1013929X.2020.1795349\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article offers a reading of Helon Habila’s latest novel Travellers, which was inspired by the onset of the so-called European refugee crisis in 2013. The essay pays special attention to the embodied act of narration and its exploitation by Habila as a mode of cultivating a compassionate understanding of forcibly displaced persons and their often precarious lives in prolonged transit. The analysis follows Butler’s idea of narrative as a mode, on the one hand, of humanising lives violently erased, as they all too often are in the event of involuntary migration, and, on the other, of restoring to “the ethically conscious” world their “capacity to mourn”, where it has been undermined by the systematic denial of human suffering by the nation state and dominant asylum discourse. Theoretical as this approach may appear at first glance, the essay’s goal is to demonstrate that, for Habila’s protagonist, learning to listen to other people’s stories properly and compassionately means to distance himself from the abstract projections of refugee subjecthood he himself endorses as the cosmopolitan intellectual he represents at the outset.\",\"PeriodicalId\":52015,\"journal\":{\"name\":\"Current Writing-Text and Reception in Southern Africa\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/1013929X.2020.1795349\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Current Writing-Text and Reception in Southern Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1013929X.2020.1795349\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Current Writing-Text and Reception in Southern Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1013929X.2020.1795349","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
This article offers a reading of Helon Habila’s latest novel Travellers, which was inspired by the onset of the so-called European refugee crisis in 2013. The essay pays special attention to the embodied act of narration and its exploitation by Habila as a mode of cultivating a compassionate understanding of forcibly displaced persons and their often precarious lives in prolonged transit. The analysis follows Butler’s idea of narrative as a mode, on the one hand, of humanising lives violently erased, as they all too often are in the event of involuntary migration, and, on the other, of restoring to “the ethically conscious” world their “capacity to mourn”, where it has been undermined by the systematic denial of human suffering by the nation state and dominant asylum discourse. Theoretical as this approach may appear at first glance, the essay’s goal is to demonstrate that, for Habila’s protagonist, learning to listen to other people’s stories properly and compassionately means to distance himself from the abstract projections of refugee subjecthood he himself endorses as the cosmopolitan intellectual he represents at the outset.
期刊介绍:
Current Writing: Text and Reception in Southern Africa is published bi-annually by Routledge. Current Writing focuses on recent writing and re-publication of texts on southern African and (from a ''southern'' perspective) commonwealth and/or postcolonial literature and literary-culture. Works of the past and near-past must be assessed and evaluated through the lens of current reception. Submissions are double-blind peer-reviewed by at least two referees of international stature in the field. The journal is accredited with the South African Department of Higher Education and Training.