{"title":"德里德解构与现代主义作家之子","authors":"Ashley Byczkowski","doi":"10.2979/jmodelite.46.1.13","DOIUrl":null,"url":null,"abstract":"Abstract:In Modernism, Self-Creation, and the Maternal, James Martell creatively explores the connections and tensions between the Derridean logics of obsequence (via being born of the mother) and of pregnancy, and moments when the notion of the mother or the maternal appear in seminal modernist works by primarily Baudelaire, Derrida, and Beckett, but also Joyce, Rimbaud, Mallarmé, Rousseau, Rilke, Proust and Poe.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Derridean Deconstruction and Modernist Writer-Sons\",\"authors\":\"Ashley Byczkowski\",\"doi\":\"10.2979/jmodelite.46.1.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In Modernism, Self-Creation, and the Maternal, James Martell creatively explores the connections and tensions between the Derridean logics of obsequence (via being born of the mother) and of pregnancy, and moments when the notion of the mother or the maternal appear in seminal modernist works by primarily Baudelaire, Derrida, and Beckett, but also Joyce, Rimbaud, Mallarmé, Rousseau, Rilke, Proust and Poe.\",\"PeriodicalId\":44453,\"journal\":{\"name\":\"JOURNAL OF MODERN LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MODERN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/jmodelite.46.1.13\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MODERN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/jmodelite.46.1.13","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Derridean Deconstruction and Modernist Writer-Sons
Abstract:In Modernism, Self-Creation, and the Maternal, James Martell creatively explores the connections and tensions between the Derridean logics of obsequence (via being born of the mother) and of pregnancy, and moments when the notion of the mother or the maternal appear in seminal modernist works by primarily Baudelaire, Derrida, and Beckett, but also Joyce, Rimbaud, Mallarmé, Rousseau, Rilke, Proust and Poe.
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