{"title":"占卜与关联思维:《易经》与《诗经》美学的渊源","authors":"M. Gu","doi":"10.1353/phl.2022.0007","DOIUrl":null,"url":null,"abstract":"Abstract:This article enquires into a transcultural aesthetic: bi-xing (inspired metaphor) in China and symbolic representation in the West, which share the common logic of correlative thinking. By examining its earliest provenance in the Zhouyi (Book of Changes) and Shijing(Book of Songs) in China's high antiquity in relation to divination, symbolization, and poetic creation in the West, it argues that this aesthetic arose from omen readings in divination, went through symbolism in linguistic representation, and became a poetic principle in aesthetic thought. It concludes that correlative thinking was an approach to knowledge production and conception in traditional thought across cultures.","PeriodicalId":51912,"journal":{"name":"PHILOSOPHY AND LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Divination and Correlative Thinking: Origins of an Aesthetic in the Book of Changes and Book of Songs\",\"authors\":\"M. Gu\",\"doi\":\"10.1353/phl.2022.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article enquires into a transcultural aesthetic: bi-xing (inspired metaphor) in China and symbolic representation in the West, which share the common logic of correlative thinking. By examining its earliest provenance in the Zhouyi (Book of Changes) and Shijing(Book of Songs) in China's high antiquity in relation to divination, symbolization, and poetic creation in the West, it argues that this aesthetic arose from omen readings in divination, went through symbolism in linguistic representation, and became a poetic principle in aesthetic thought. It concludes that correlative thinking was an approach to knowledge production and conception in traditional thought across cultures.\",\"PeriodicalId\":51912,\"journal\":{\"name\":\"PHILOSOPHY AND LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PHILOSOPHY AND LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/phl.2022.0007\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PHILOSOPHY AND LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/phl.2022.0007","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Divination and Correlative Thinking: Origins of an Aesthetic in the Book of Changes and Book of Songs
Abstract:This article enquires into a transcultural aesthetic: bi-xing (inspired metaphor) in China and symbolic representation in the West, which share the common logic of correlative thinking. By examining its earliest provenance in the Zhouyi (Book of Changes) and Shijing(Book of Songs) in China's high antiquity in relation to divination, symbolization, and poetic creation in the West, it argues that this aesthetic arose from omen readings in divination, went through symbolism in linguistic representation, and became a poetic principle in aesthetic thought. It concludes that correlative thinking was an approach to knowledge production and conception in traditional thought across cultures.
期刊介绍：
For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.
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