{"title":"冬天来了：屏幕村与冷战历史","authors":"L. Koepnick","doi":"10.1515/iasl-2022-0024","DOIUrl":null,"url":null,"abstract":"Abstract This essay discusses the German television series Tannbach (Line of Separation) to ask new questions about the representation of village life in German cinema and television. Though set during the Cold War, the series – I argue – invites us to rethink the conventional image of the village against the backdrop of twenty-first century perspectives on borders and migration, the commodification of technologies of seeing, and the Anthropocene’s impact on so-called natural habitats.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"434 - 456"},"PeriodicalIF":0.2000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Winter is Coming: Screen Villages and Cold War History\",\"authors\":\"L. Koepnick\",\"doi\":\"10.1515/iasl-2022-0024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This essay discusses the German television series Tannbach (Line of Separation) to ask new questions about the representation of village life in German cinema and television. Though set during the Cold War, the series – I argue – invites us to rethink the conventional image of the village against the backdrop of twenty-first century perspectives on borders and migration, the commodification of technologies of seeing, and the Anthropocene’s impact on so-called natural habitats.\",\"PeriodicalId\":42506,\"journal\":{\"name\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"volume\":\"47 1\",\"pages\":\"434 - 456\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/iasl-2022-0024\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/iasl-2022-0024","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
Winter is Coming: Screen Villages and Cold War History
Abstract This essay discusses the German television series Tannbach (Line of Separation) to ask new questions about the representation of village life in German cinema and television. Though set during the Cold War, the series – I argue – invites us to rethink the conventional image of the village against the backdrop of twenty-first century perspectives on borders and migration, the commodification of technologies of seeing, and the Anthropocene’s impact on so-called natural habitats.
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