{"title":"日本中产阶级的现代流行文化","authors":"S. Sommers","doi":"10.1386/eapc_00075_2","DOIUrl":null,"url":null,"abstract":"In modern history, Japan has undergone an enormous transformation that created a huge middle-class with its own popular culture. This thematic section of the East Asian Journal of Popular Culture examines the way in which popular culture emerged from an early authoritarian control over culture and production. Four articles examine the ways in which forms of popular culture have evolved as the marketplace has adopted more liberal regulation. The place of gender and gender roles is particularly salient in understanding this transformation. This transformation is described using examples from both men’s and women’s fashion magazines (by Martyn David Smith and Satoshi Ota), the use of televised laughter (by David Humphrey) and the evolution of the place of women in Takarazuka theatre (by Toshiko Irie).","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A modern popular culture in middle-class Japan\",\"authors\":\"S. Sommers\",\"doi\":\"10.1386/eapc_00075_2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In modern history, Japan has undergone an enormous transformation that created a huge middle-class with its own popular culture. This thematic section of the East Asian Journal of Popular Culture examines the way in which popular culture emerged from an early authoritarian control over culture and production. Four articles examine the ways in which forms of popular culture have evolved as the marketplace has adopted more liberal regulation. The place of gender and gender roles is particularly salient in understanding this transformation. This transformation is described using examples from both men’s and women’s fashion magazines (by Martyn David Smith and Satoshi Ota), the use of televised laughter (by David Humphrey) and the evolution of the place of women in Takarazuka theatre (by Toshiko Irie).\",\"PeriodicalId\":36135,\"journal\":{\"name\":\"East Asian Journal of Popular Culture\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"East Asian Journal of Popular Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/eapc_00075_2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"East Asian Journal of Popular Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/eapc_00075_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
摘要
在现代史上,日本经历了一场巨大的变革,造就了一个拥有自己流行文化的庞大中产阶级。《东亚流行文化杂志》的这一主题部分探讨了流行文化从早期对文化和生产的独裁控制中产生的方式。四篇文章探讨了随着市场采用更自由的监管,流行文化形式的演变方式。在理解这种转变时,性别和性别角色的地位尤为突出。这一转变是通过男性和女性时尚杂志(Martyn David Smith和Satoshi Ota著)、电视笑声的使用(David Humphrey著)和女性在宝冢剧院的地位演变(Toshiko Irie著)的例子来描述的。
In modern history, Japan has undergone an enormous transformation that created a huge middle-class with its own popular culture. This thematic section of the East Asian Journal of Popular Culture examines the way in which popular culture emerged from an early authoritarian control over culture and production. Four articles examine the ways in which forms of popular culture have evolved as the marketplace has adopted more liberal regulation. The place of gender and gender roles is particularly salient in understanding this transformation. This transformation is described using examples from both men’s and women’s fashion magazines (by Martyn David Smith and Satoshi Ota), the use of televised laughter (by David Humphrey) and the evolution of the place of women in Takarazuka theatre (by Toshiko Irie).