大胆的女人,不良资产:荣誉,财产和技术滥交

IF 0.9 2区 社会学 Q3 WOMENS STUDIES Feminist Review Pub Date : 2021-07-01 DOI:10.1177/01417789211016438
Sara Shroff
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引用次数: 2

摘要

2016年6月,26岁的巴基斯坦社交媒体明星坎德尔·巴洛赫被谋杀。她的死在巴基斯坦及其侨民中引发了公众的愤怒和围绕“名誉杀人”、数字权利和性积极性的政策辩论。坎德尔质疑什么才是真正的巴基斯坦女性、真正的俾路支人和受人尊敬的数字公民。作为一个国家性象征,她在令人尊敬的异性恋的性别化运作中失败了,在她短暂的一生中,她将这种失败和公众恋物癖优化为一种技术中介的社交货币(点击、标签、评论、点赞、转发),以建立一个跨国名人品牌。我以坎德尔·巴洛赫的生平和余生为中心,思考荣誉、种族化种族、殖民主义、性暴力和社交媒体的经济纠葛,这些纠葛是全球化的反黑人和体面的棕色人种作为全球资本的交叉点。在这些复杂的殖民主义记录中,坎德尔的生活和残忍的谋杀需要重新思考种族化种族(俾路支)、性劳动(种族资本)和社交媒体(数字)作为资本主义和民族主义价值载体的类别。通过以坎德尔为中心,我将荣誉定义为一种种族化的财产关系。这种对荣誉的重读,作为异父权制的一种经济衡量标准,将我对荣誉杀人的看法从文化犯罪转变为财产犯罪。女性荣誉是一种死资本主义技术,通过种族化、性别化和性化的财产关系,将女性和女性的身体构建成异性恋帝国的碎片。社交媒体货币以及围绕数字权利、隐私和言论自由的讨论使这些关系和荣誉登记变得更加复杂。因此,荣誉是通过种族、宗教和帝国主义产生的性道德的经济管理。
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Bold Women, Bad Assets: Honour, Property and Techno-Promiscuities
In June 2016, Qandeel Baloch, a 26-year-old Pakistani social media star, was murdered. Her death sparked both public outrage and a policy debate around ‘honour killing’, digital rights and sex-positive sexuality across Pakistan and its diasporas. Qandeel challenged what constitutes a proper Pakistani woman, an authentic Baloch and a respectable digital citizen. As a national sex symbol, she failed at the gendered workings of respectable heterosexuality, and during her short lifetime she optimised this failure and public fetish as a technologically mediated social currency (clicks, hashtags, comments, likes, reposts) to build a transnational celebrity brand. I centre Qandeel Baloch’s life and afterlives to think through the economic entanglements of honour, racialised ethnicity, coloniality, sexual violence and social media at the intersections of globalised anti-Blackness and honourable brownness as a matter of global capital. Within these complex registers of coloniality, Qandeel’s life and brutal murder necessitate a rethinking of categories of racialised ethnicity (Baloch), sexual labour (racial capital) and social media (digitality) as vectors of value for capitalism and nationalism. By centring Qandeel, I define honour as a form of racialised property relations. This rereading of honour, as an economic metric of heteropatriarchy, shifts my lens of honour killing from a crime of culture to a crime of property. Women’s honour functions as a necrocapitalist technology that constructs female and feminine bodies as the debris of heterosexual empire through racialised, gendered and sexualised property relations. These relations and registers of honour get further complicated by social media currency and discussions around digital rights, privacy and freedom of expression. Honour is, therefore, the economic management of sexual morality produced through race, religion and imperialism.
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来源期刊
Feminist Review
Feminist Review WOMENS STUDIES-
CiteScore
2.40
自引率
5.60%
发文量
19
期刊介绍: Feminist Review is a peer reviewed, interdisciplinary journal setting new agendas for the analysis of the social world. Currently based in London with an international scope, FR invites critical reflection on the relationship between materiality and representation, theory and practice, subjectivity and communities, contemporary and historical formations. The FR Collective is committed to exploring gender in its multiple forms and interrelationships. As well as academic articles we publish experimental pieces, visual and textual media and political interventions, including, for example, interviews, short stories, poems and photographic essays.
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