书评:《革命的问题:1989年后柏林和华沙的城市空间和象征政治》,多米尼克·巴特曼斯基著

IF 1.4 1区 社会学 Q2 SOCIOLOGY Cultural Sociology Pub Date : 2022-05-31 DOI:10.1177/17499755221097938
Dominik Želinský
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引用次数: 0

摘要

在《革命的问题》一书中,多米尼克·巴特曼斯基回顾了东欧1989年后的转型,探索了两个城市蜕变和重新意义的案例:柏林和华沙。然而,巴特曼斯基的书不仅仅是对1989年后城市变化的两条不同轨迹的分析:它是对文化社会学、物质人类学和现象学综合的雄心勃勃的推动。在我看来,巴特曼斯基的努力是成功的:这本书(1)在社会学上富有成效,提供了出色的厚实描述和有力的解释;(2)在合并合适的议程和发展一个智力独立和创新的视角方面在理论上取得了成就;(3)在文体上非常出色。在前两章中,巴特曼斯基阐述了他对主流社会学的挑战,主流社会学——追随韦伯等思想家——“专注于思想”,将其视为“用语言表达的抽象心理”(第16页)。但是把想法想象成无实体的是naïve:根据巴特曼斯基的说法,“社会重要的想法具体化了,植入了想法。”它们的意义因其产生和产生共鸣的物质和空间环境而异”(第16页)。从结构主义和后结构主义的文化理论(从巴特到亚历山大)、人类学(米勒或英戈尔德)和现象学(梅洛-庞蒂)中提取线索,巴特曼斯基创造了一个自主的视角,使他能够通过建筑(或广泛的材料和具体化)表演,将抽象的思想结构与对其安置(或位移)的深刻敏感性结合起来。其结果是一种象似性理论,它打破了barmanski与Alexander在编辑的《Iconic Power》一书中所做的早期工作,后者将“相对自主”的(barmanski, 2012: 60)标志性物体的深度和表层整齐地分开。在这本书中,巴特曼斯基富有成效地挑战了这种二元论,并强调它们是“相互依赖而不是独立的”(第47页),从未“具体分离”(第47页)。在第三章到第五章中,巴特曼斯基运用他的框架来理解东欧城市景观在革命后的转变。在第三章中,他将重点放在革命本身的标志性意义上,询问为什么柏林墙的解构以一种掩盖其他国家,特别是波兰和匈牙利革命的方式吸引了世界的想象力。巴特曼斯基认为,答案就在《文化社会学书评》一书中
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Book Review: Matters of Revolution: Urban Spaces and Symbolic Politics in Berlin and Warsaw After 1989 by Dominik Bartmanski
In Matters of Revolution, Dominik Bartmanski revisits East Europe’s post-1989 transformation to explore two cases of urban metamorphosis and re-signification: Berlin and Warsaw. However, Bartmanski’s book is more than an analysis of two divergent trajectories of post-1989 urban change: it is an ambitious push towards a synthesis of cultural sociology, material anthropology and phenomenology. In my view, Bartmanski’s effort is successful: the book is (1) sociologically productive in delivering excellent thick descriptions and robust explanations (2) theoretically accomplished in merging fitting agendas and developing an intellectually independent and innovative perspective (3) stylistically excellent. In the first two chapters, Bartmanski expounds on his challenge to mainstream sociology, which – following thinkers like Weber – ‘preoccupied itself with ideas’ as ‘abstract mentalities expressed in language’ (p. 16). But to conceive of ideas as disembodied is naïve: according to Bartmanski, ‘socially vital ideas embodied and emplaced ideas. Their significance varies because of material and spatial circumstances in which they are brought to existence and made resonant’ (p. 16). Pulling on threads from structuralist and poststructuralist theories of culture (from Barthes to Alexander), anthropology (Miller or Ingold), and phenomenology (Merleau-Ponty), Bartmanski carves out an autonomous perspective that allows him to integrate abstract structures of ideas with deep sensitivity to their emplacement (or displacement) through architectural (or broadly material and embodied) performances. The result is a theory of iconicity that breaks with earlier work Bartmanski undertook with Alexander in an edited volume Iconic Power, which neatly separated the ‘relatively autonomous’ (Bartmanski, 2012: 60) depth and surface layers of iconic objects. In the present book, Bartmanski productively challenges this dualism and emphasizes that they are ‘interdependent rather than independent’ (p. 47) and never ‘concretely separated’ (p. 47). In Chapters 3 to 5, Bartmanski deploys his framework to understand post-revolutionary transformations of the East European urban landscape. In Chapter 3, he focuses on the iconic significance of the revolutions themselves, asking why the deconstruction of the Berlin Wall captured the world’s imagination in a way that overshadowed revolutions in other countries, especially Poland and Hungary. Bartmanski argues that the answer lies in 1097938 CUS0010.1177/17499755221097938Cultural SociologyBook Reviews book-review2022
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来源期刊
Cultural Sociology
Cultural Sociology SOCIOLOGY-
CiteScore
3.30
自引率
10.50%
发文量
36
期刊介绍: Cultural Sociology publishes empirically oriented, theoretically sophisticated, methodologically rigorous papers, which explore from a broad set of sociological perspectives a diverse range of socio-cultural forces, phenomena, institutions and contexts. The objective of Cultural Sociology is to publish original articles which advance the field of cultural sociology and the sociology of culture. The journal seeks to consolidate, develop and promote the arena of sociological understandings of culture, and is intended to be pivotal in defining both what this arena is like currently and what it could become in the future. Cultural Sociology will publish innovative, sociologically-informed work concerned with cultural processes and artefacts, broadly defined.
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