第54卷第1期:社论

IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH McGill Journal of Education Pub Date : 2019-06-17 DOI:10.7202/1060857ar
Sarah Attfield, L. Giuffre
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引用次数: 0

摘要

流浪汉被理想化了,因为他们被认为是不受社会约束的自由。这种浪漫主义倾向的一个明显例外是芬兰裔美国无政府主义报纸专栏作家、词曲作者和世界产业工人组织(IWW)成员T-Bone Slim(马特·瓦伦丁·胡塔饰)的作品。T·波恩·斯利姆的作品激进地介入了20世纪二三十年代美国关于阶级、劳工和剥削的辩论。他的作品具有深刻的讽刺意味,带着尖刻的机智,让人想起马克吐温。本文将重点放在他对食物、名声和身体的表现上,认为斯利姆的作品对许多当代自传和后来的学术研究中出现的对流浪汉的理想主义描绘提出了挑战。
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Volume 54 Number 1: Editorial
Hobos have been idealised for their supposed freedom from social restraints. A notable exception to this romantic tendency was the work of the Finnish-American anarchist newspaper columnist, songwriter and member of the Industrial Workers of the World (IWW), T-Bone Slim (Matt Valentine Huhta). T Bone Slim’s writings were radical interventions in debates around class, labour and exploitation in 1920s and 1930s America. His work was deeply satirical, with a scathing wit reminiscent of Mark Twain. Focussing on his representation of food, fame, and the body, this article argues that Slim’s work represents a challenge to the idealistic portrayal of the hobo that appears in many contemporary autobiographies and in later academic scholarship.
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McGill Journal of Education
McGill Journal of Education EDUCATION & EDUCATIONAL RESEARCH-
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