{"title":"酷儿犹太人生活在屏幕上","authors":"Cathy S. Gelbin","doi":"10.1080/1462169X.2022.2109293","DOIUrl":null,"url":null,"abstract":"ABSTRACT This piece explores the clashing preconceptions and elective affinities regarding queerness and Jewishness in the filmic representation of intersectional queer and Jewish sensibilities from the 1980s to the present, a period in which postmodern paradigms came to the fore in popular culture, academic theory and alternative community politics. As I argue, these films convey a tug and pull between religious tradition and cultural innovation; between the old essentialisms and new fluidities associated with ethnicized, gendered and sexualized constellations and between Israel and the Diaspora, with varying relevance to cosmopolitanist and nationalistic discourses.","PeriodicalId":35214,"journal":{"name":"Jewish Culture and History","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Queer Jewish lives on screen\",\"authors\":\"Cathy S. Gelbin\",\"doi\":\"10.1080/1462169X.2022.2109293\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This piece explores the clashing preconceptions and elective affinities regarding queerness and Jewishness in the filmic representation of intersectional queer and Jewish sensibilities from the 1980s to the present, a period in which postmodern paradigms came to the fore in popular culture, academic theory and alternative community politics. As I argue, these films convey a tug and pull between religious tradition and cultural innovation; between the old essentialisms and new fluidities associated with ethnicized, gendered and sexualized constellations and between Israel and the Diaspora, with varying relevance to cosmopolitanist and nationalistic discourses.\",\"PeriodicalId\":35214,\"journal\":{\"name\":\"Jewish Culture and History\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Culture and History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1462169X.2022.2109293\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Culture and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1462169X.2022.2109293","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
ABSTRACT This piece explores the clashing preconceptions and elective affinities regarding queerness and Jewishness in the filmic representation of intersectional queer and Jewish sensibilities from the 1980s to the present, a period in which postmodern paradigms came to the fore in popular culture, academic theory and alternative community politics. As I argue, these films convey a tug and pull between religious tradition and cultural innovation; between the old essentialisms and new fluidities associated with ethnicized, gendered and sexualized constellations and between Israel and the Diaspora, with varying relevance to cosmopolitanist and nationalistic discourses.
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