{"title":"“倾斜前进的必要性”:塑造米歇尔·布托的形象","authors":"M. Labbé","doi":"10.3366/nfs.2019.0260","DOIUrl":null,"url":null,"abstract":"‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"58 1","pages":"315-331"},"PeriodicalIF":0.2000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"‘Nécessité de procéder obliquement’: Shaping Michel Butor's Image\",\"authors\":\"M. Labbé\",\"doi\":\"10.3366/nfs.2019.0260\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.\",\"PeriodicalId\":19182,\"journal\":{\"name\":\"Nottingham French Studies\",\"volume\":\"58 1\",\"pages\":\"315-331\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nottingham French Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/nfs.2019.0260\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nottingham French Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/nfs.2019.0260","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 1
摘要
米歇尔·布托尔(Michel Butor)于2003年出版了一本关于自己的专著,这本专著的第一句话是“艰难的生活”(Difficile d‘écrire sur soi ou sur sesécrits),收录在塞格斯(Segers)的文集《今日》(Poètes d‘aujourd'hui)中。与其他插图专著集一样,该系列通过不同类型的话语和几个演员的组合来塑造作家的形象。Butor对自己作品的研究往往会模糊这些区别,并挑战该系列的模式,这不仅是因为作者的干预,还因为Butor对其图像制作过程的兴趣。本文考察了1964年至2009年间出版的关于米歇尔·布托尔的六本系列专著,首先,为了揭示一位知名作家的形象是如何被刻在插图专著集中的,其次,为了更好地理解米歇尔·布托尔与批评话语和他自己形象的关系。
‘Nécessité de procéder obliquement’: Shaping Michel Butor's Image
‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.
期刊介绍:
Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.