The Form of Remembrance: Prison Writing and the Memory of the Ba‘th in Dreaming of Baghdad and I‘jaam

In his 2019 critical study, Husayn Sarmak Hassan complained that not enough attention has been given to the production of Iraqi prison writing even after the toppling of Saddam Hussein's regime and its censorship apparatus. He notes, for example, that during the 2017 Cairo book fair, he found thirty (presumably new) prison novels, none of which were written by Iraqis. The relative scarcity of prison novels from Iraq is most certainly not due to lack of content; since the collapse of the old regime, there has been a proliferation of personal accounts, both oral and written, detailing the horrors of Saddam's Ba'th and the extent of the human toll of its wars and oppression. The ensuing documentation projects that emerged out of this mass catharsis aimed to amplify voices that had hitherto been marginalized and silenced, including the experiences of political prisoners. Hassan's study on prison writing, published by the Iraqi Ministry of Culture, can be seen in this light: as part of a national effort to process the literary and psychological aspects of the Ba‘th's legacy. However, the author's interest in prison writing also stems from his professional background as a medical doctor and psychiatrist directly involved in the study and treatment of PTSD in military veterans of the Iran–Iraq War. His personal interest in the experiences of Iraqi political prisoners is also made clear by certain paratextual elements in his study; in the acknowledgements, for example, Hassan dedicates his text to a friend who spent twenty years in incarceration as a political prisoner, and to his brother, who he found unrecognizable due to starvation and torture on a visit to a Najaf prison in 1994.