朱迪思·w·佩吉、伊莉斯·l·史密斯著《二十世纪早期英国农村的妇女、文学与艺术》(书评)

Pub Date : 2022-03-01 DOI:10.1353/tsw.2022.0014
K. Flint
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引用次数: 0

摘要

本书以八位作家和艺术家为中心,探讨了20世纪初英国农村对女性工作、创造力和抱负的中心地位。作者向我们介绍了今天应该更为人所知的人物:教育工作者、艺术家、小说家、诗人和回忆录作家。这本由文学学者和艺术史学家撰写的书分为四个部分,重点关注职业和教育、乡村的转型、工艺美术以及错位和失落,带来了跨学科的视角,对女性对战争、工业化、现代主义意识形态和性别等20世纪重大问题的反应提供了独特的视角。从玛丽·沃茨(Mary Watts)非凡的陶器到贝娅特丽克丝·波特(Beatrix Potter)作为儿童作家和环保主义者的作品,再到多拉·卡林顿(Dora Carrington)令人难忘的画作和维塔·萨克维尔·韦斯特(Vita Sackville West)的西辛赫斯特城堡花园(Sissinghurst Castle Garden),这本书挑战读者通过作品的视角重新思考20世纪初。
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Women, Literature, and the Arts of the Countryside in Early Twentieth-Century England by Judith W. Page and Elise L. Smith (review)
Focusing on eight writers and artists, this book examines the centrality of the countryside to women’s work, creativity, and aspirations in early twentieth-century England. The authors introduce us to figures who should be better known today: educators, artists, novelists, poets, and memoirists. Divided into four parts, with foci on professions and education, the transformation of the countryside, arts and crafts, and dislocation and loss, this book by a literature scholar and an art historian brings an interdisciplinary perspective, providing a unique view of women’s responses to such major issues of the twentieth-century as war, industrialization, modernist ideology, and gender. From Mary Watts’s remarkable pottery to Beatrix Potter’s work as a children’s author and environmentalist to Dora Carrington’s haunting paintings and Vita Sackville-West’s Sissinghurst Castle Garden, this book challenges readers to rethink the early twentiethcentury through the lens of their work.
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