作为重写本的现实:乔治·奥威尔《1984》和《最大的声音》中的信息无序实践

Q3 Arts and Humanities Anglica Pub Date : 2022-10-01 DOI:10.7311/0860-5734.31.1.04
B. Valverde, Ana Valverde González
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引用次数: 0

摘要

借助大众传播理论,特别是让·鲍德里亚的拟像和拟像理论,我们将研究乔治·奥威尔的《1984》(1949)和美国电视迷你剧《最响亮的声音》(2019)中信息实践的扭曲。尽管这两部作品之间有近一个世纪的时间,但从社会政治角度来看,对信息传播的控制在这两部叙事作品中都同样重要:1984年在威权体制中维持现状,以及在《最响亮的声音》中破坏当前美国民主体制。有了这一点,我们将认为,这些文学和视听文本是公民发展批判性思维技能和质疑他们的世界观的关键,或者,用奥威尔自己的话来说,是锻炼一种不同寻常的常识的关键,这需要思想的独立性和思想的完整性。
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Reality as a Palimpsest: Information Disorder Practices in George Orwell’s 1984 and The Loudest Voice
Drawing upon mass communication theories, with special emphasis on Jean Baudrillard’s theory of simulacra and simulacrum, we will examine distortion of infor- mation practices in George Orwell’s 1984 (1949) and in the American TV miniseries The Loudest Voice (2019). Even though there is nearly a century between both works, socio-politically speaking, the control of information dissemination is equally important in both narrative products: in the maintaining of the status quo in an authoritarian sys- tem in 1984 and in the process of undermining the current US democratic system in The Loudest Voice. With this, we will argue that these literary and audiovisual texts are key for citizens to develop critical thinking skills and to question their worldviews, or, in Or- well’s own words, to exercise an uncommon common sense, which entails independence of thought and integrity of mind.
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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