电气化达盖尔银版照相法:论1840年前后电与摄影的关系

IF 0.3 2区 艺术学 0 ART History of Photography Pub Date : 2021-04-03 DOI:10.1080/03087298.2022.2062907
P. Trnkova
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引用次数: 0

摘要

本文认为银版和电是早期摄影和照相复制史上的关键驱动力。本文引用了三个例子——银版电版、电蚀刻银版和Hippolyte Fizeau开发的蚀刻工艺——旨在展示它们之间的联系有多紧密,以及它们在19世纪40年代初引起了科学家和摄影师的多大兴趣,特别是在法国、英国和德语国家。这篇文章展示了这三种过程是以什么方式使用的,是谁开发和使用的,哪些机构和学术社会参与了它们的发展,以及它们引发了哪些理论概念和讨论。尽管这三种技术都只是短暂的技术,在19世纪50年代末基本上被遗忘了,但它们不仅仅是好奇,因为它们有助于我们更好地理解摄影和照相复制的最早历史。
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Electrifying Daguerreotypes: On Correlations Between Electricity and Photography around 1840
This article considers the daguerreotype and electricity as the key driving forces in the early histories of photography and photomechanical reproduction. Drawing on three examples – daguerreotype electrotypes, galvanically etched daguerreotypes and the etching process developed by Hippolyte Fizeau – the article aims to demonstrate how closely they were connected and how much interest they raised among scientists and photographers in the early 1840s, particularly in France, Britain and the German-speaking countries. The article shows in what ways the three processes were employed and who developed and used them, which institutions and learned societies were involved in their progress and which theoretical concepts and discussions they gave rise to. Although all three were only short-lived technologies and were largely forgotten by the end of the 1850s, they are more than mere curiosities, as they contribute significantly to our better understanding of the earliest histories of photography and photomechanical reproduction.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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