{"title":"格伦·亚当森和珍·帕吉特的《打造美国:1940年至今的艺术家和物品》;以及莫妮卡·布拉沃(Monica Bravo)的《大美国相机:在墨西哥制作现代主义》","authors":"Harper Montgomery","doi":"10.1080/00043079.2022.2104108","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"129 - 133"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Crafting America: Artists and Objects, 1940 to Today, by Glenn Adamson and Jen Padgett; and Greater American Camera: Making Modernism in Mexico, by Monica Bravo\",\"authors\":\"Harper Montgomery\",\"doi\":\"10.1080/00043079.2022.2104108\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"104 1\",\"pages\":\"129 - 133\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2022.2104108\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2022.2104108","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Crafting America: Artists and Objects, 1940 to Today, by Glenn Adamson and Jen Padgett; and Greater American Camera: Making Modernism in Mexico, by Monica Bravo
期刊介绍：
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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