{"title":"玻利维亚：对美的亏欠","authors":"Max Jorge Hinderer Cruz","doi":"10.1162/octo_a_00468","DOIUrl":null,"url":null,"abstract":"Abstract After the coup d’état in Bolivia, in November 2019, a presidential decree was passed that potentially criminalized journalists, bloggers, and artists by holding that to the extent their work could be characterized as confusing public opinion it would be considered to constitute a danger to public health. The present text “A Debt to Beauty” offers a brief analysis of the historical relationship between silence and beauty, as well as the ethical dimension of the act of contemplating beauty in a museum—the debt one incurs, as it were, to beauty.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"113-118"},"PeriodicalIF":0.4000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Bolivia: A Debt to Beauty\",\"authors\":\"Max Jorge Hinderer Cruz\",\"doi\":\"10.1162/octo_a_00468\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract After the coup d’état in Bolivia, in November 2019, a presidential decree was passed that potentially criminalized journalists, bloggers, and artists by holding that to the extent their work could be characterized as confusing public opinion it would be considered to constitute a danger to public health. The present text “A Debt to Beauty” offers a brief analysis of the historical relationship between silence and beauty, as well as the ethical dimension of the act of contemplating beauty in a museum—the debt one incurs, as it were, to beauty.\",\"PeriodicalId\":51557,\"journal\":{\"name\":\"OCTOBER\",\"volume\":\"1 1\",\"pages\":\"113-118\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OCTOBER\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.1162/octo_a_00468\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OCTOBER","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1162/octo_a_00468","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract After the coup d’état in Bolivia, in November 2019, a presidential decree was passed that potentially criminalized journalists, bloggers, and artists by holding that to the extent their work could be characterized as confusing public opinion it would be considered to constitute a danger to public health. The present text “A Debt to Beauty” offers a brief analysis of the historical relationship between silence and beauty, as well as the ethical dimension of the act of contemplating beauty in a museum—the debt one incurs, as it were, to beauty.
期刊介绍：
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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