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引用次数: 2
摘要
摘要:本文分析了意大利共和国早期运用文字、图像和仪式来加强公共安全卫队(Corpo delle Guardie di publicica Sicurezza)的军事化,并促使公众支持强硬的军事解决方案来解决法律和秩序问题。它利用警察文献(特别是《公共安全卫队》杂志《现代警察》)、报纸和电影新闻片,分析了警察的纪念活动和庆祝活动,以及这些仪式在内部和更广泛公众中的表现。这包括对宗教语言和礼拜仪式的使用的检查,我认为这是为了加强警察的战士心态。本文还探讨了警察和媒体如何框定警务活动,以及公安部队军事化程度提高所决定的强硬镇压策略。为了帮助解释这些来源,本文部分借鉴了最近关于在军事化过程中使用性别建构的批判性女权主义研究。
Cultural strategies for militarizing the Italian police, 1947 -1952
ABSTRACT The article analyses the employment of words, images and rituals, in the early years of the Italian Republic, to reinforce the militarization of the Public Security Guard (Corpo delle Guardie di Pubblica Sicurezza) and to engender public support for hard-line military-type solutions to law-and-order difficulties. Drawing on police literature (especially the magazine of the Public Security Guard, Polizia Moderna), newspapers and cinema newsreels, it analyses police commemorations and celebrations, and representations of these rituals internally and to the wider public. This includes an examination of the employment of religious language and liturgy, which I argue intended to reinforce a warrior mentality among police officers. The article also investigates how the police and the media framed policing activities and the hard-line repressive tactics which the enhanced militarization of the Public Security Guard determined. To aid interpretation of the sources, the article partly draws on recent critical feminist scholarship on the employment of gendered constructions in the process of militarization.
期刊介绍:
Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.