{"title":"特立尼达和多巴哥东印度和非洲音乐传统的探索:以Mungal Patasar和Pantar为例","authors":"Jill-Ann Walters-Morris, Clarence Morris, Rachel-Ann Charles-Hatt","doi":"10.1080/03007766.2022.2123509","DOIUrl":null,"url":null,"abstract":"ABSTRACT In this article, we present a case study of Mungal Patasar and his band, Pantar to explore syncretism between jazz and local music traditions in Trinidad and Tobago. We discuss the nuances emerging from the interactions between East Indian and African music traditions as we delineate the ways jazz diaspora is performed within this context. The overall findings of this study demonstrate that a perspective of Trinidad and Tobago’s national identity through ethnicity is re-articulated in Patasar’s work, not from a purist approach, but where the foundations of African and Indian ethnic identities remain intact.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2022-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Exploration of the East Indian and African Music Traditions in Trinidad and Tobago: The Case of Mungal Patasar and Pantar\",\"authors\":\"Jill-Ann Walters-Morris, Clarence Morris, Rachel-Ann Charles-Hatt\",\"doi\":\"10.1080/03007766.2022.2123509\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In this article, we present a case study of Mungal Patasar and his band, Pantar to explore syncretism between jazz and local music traditions in Trinidad and Tobago. We discuss the nuances emerging from the interactions between East Indian and African music traditions as we delineate the ways jazz diaspora is performed within this context. The overall findings of this study demonstrate that a perspective of Trinidad and Tobago’s national identity through ethnicity is re-articulated in Patasar’s work, not from a purist approach, but where the foundations of African and Indian ethnic identities remain intact.\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-08-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2022.2123509\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2022.2123509","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
An Exploration of the East Indian and African Music Traditions in Trinidad and Tobago: The Case of Mungal Patasar and Pantar
ABSTRACT In this article, we present a case study of Mungal Patasar and his band, Pantar to explore syncretism between jazz and local music traditions in Trinidad and Tobago. We discuss the nuances emerging from the interactions between East Indian and African music traditions as we delineate the ways jazz diaspora is performed within this context. The overall findings of this study demonstrate that a perspective of Trinidad and Tobago’s national identity through ethnicity is re-articulated in Patasar’s work, not from a purist approach, but where the foundations of African and Indian ethnic identities remain intact.
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.